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\u201c\u0130stanbul\u2019u Dinliyorum\u201d, \u201cG\u00fczel Havalar\u201d, \u201cBir Garip Orhan Veli\u201d ve \u201cAnlatam\u0131yorum\u201d \u015fiirleriyle haf\u0131zalara kaz\u0131nan Orhan Veli Kan\u0131k\u2019\u0131n Beykoz\u2019daki do\u011fum evi sat\u0131\u015fa \u00e7\u0131kar\u0131ld\u0131.<\/p>\n\n\n\n
“\u0130stanbul’u dinliyorum, g\u00f6zlerim kapal\u0131; \/ Serin serin Kapal\u0131 \u00c7ar\u015f\u0131; \/ C\u0131v\u0131l c\u0131v\u0131l Mahmutpa\u015fa; \/ G\u00fcvercin dolu avlular. \/ \u00c7eki\u00e7 sesleri geliyor doklardan, \/ G\u00fczelim bahar r\u00fczgar\u0131nda, ter kokular\u0131; \/ \u0130stanbul’u dinliyorum, g\u00f6zlerim kapal\u0131” dizelerinin de aralar\u0131nda bulundu\u011fu \u00e7ok say\u0131da unutulmaz esere imza atan ve 36 ya\u015f\u0131nda hayata veda eden Orhan Veli Kan\u0131k’\u0131n Beykoz’da do\u011fdu\u011fu ev sat\u0131\u015fa \u00e7\u0131kart\u0131ld\u0131. <\/p>\n\n\n\n
Gazeteci Adil Bali, sosyal medya hesab\u0131ndan yapt\u0131\u011f\u0131 payla\u015f\u0131mda \u0130shak A\u011fa Caddesi’ndeki tarihi yap\u0131n\u0131n yakla\u015f\u0131k 80 milyon lira bedelle sat\u0131\u015fa sunuldu\u011funu duyurdu.<\/p>\n\n\n\n
Evin foto\u011fraflar\u0131n\u0131 payla\u015fan Bali, “Orhan Veli’nin do\u011fdu\u011fu ev sat\u0131l\u0131yor. Beykoz\u2019da, 13 Nisan 1914 sabah\u0131na tan\u0131kl\u0131k eden o ah\u015fap k\u00f6\u015fk\u00fcn kap\u0131s\u0131nda bug\u00fcn mahcup bir tabela var: Sat\u0131l\u0131k.\u2028Sat\u0131lan bir ev mi, yoksa \u0130stanbul’un haf\u0131zas\u0131 m\u0131? Bu yap\u0131 yaln\u0131zca bir m\u00fclk de\u011fil; \u015fiirin, \u00e7ocuklu\u011fun ve bir \u015fehrin hat\u0131ras\u0131d\u0131r” dedi ve ekledi:<\/p>\n\n\n\n
“D\u00fcnya b\u00fcy\u00fck \u015fairlerini m\u00fczelerde ya\u015fat\u0131rken, \u0130stanbul kendi sesine sessiz mi kalacak? Beykoz’daki ev korunmal\u0131, m\u00fcze olmal\u0131d\u0131r. \u00c7\u00fcnk\u00fc baz\u0131 evler sat\u0131lamaz. Baz\u0131 \u015fairler do\u011fduklar\u0131 \u015fehirden hi\u00e7 ayr\u0131lmaz. \u0130stanbul h\u00e2l\u00e2 onu dinliyor” diyerek evin korunmas\u0131 i\u00e7in \u00e7a\u011fr\u0131da bulundu.<\/p>\n\n\n\n
\u00d6te yandan bu durum sosyal medyada da \u00fcz\u00fcnt\u00fcyle kar\u015f\u0131land\u0131. Sosyal medya kullan\u0131c\u0131lar\u0131 s\u00f6z konusu binan\u0131n m\u00fczeye \u00e7evrilmesi i\u00e7in yetkililere seslendi.<\/p>\n\n\n\n
AA’n\u0131n haberine g\u00f6re Orhan Veli Kan\u0131k, M\u0131z\u0131ka-y\u0131 H\u00fcmayun’da klarnist Mehmet Veli Bey ile Fatma Nigar Han\u0131m’\u0131n ilk \u00e7ocu\u011fu olarak, 13 Nisan 1914’te Beykoz’a ba\u011fl\u0131 Yal\u0131k\u00f6y’deki bir konakta do\u011fdu.<\/p>\n\n\n\n
As\u0131l ad\u0131 Ahmet Orhan olan \u015fairin ailesi, Soyad\u0131 Kanunu’nun ard\u0131ndan Kan\u0131k soyad\u0131n\u0131 ald\u0131. Kanundan \u00f6nce, babas\u0131n\u0131n ad\u0131ndaki Veli’yi sahiplenen Kan\u0131k, edebiyat \u00e7evrelerinde Orhan Veli olarak tan\u0131nd\u0131.<\/p>\n\n\n\n
Kan\u0131k’\u0131n \u00e7ocuklu\u011fu Beykoz, Be\u015fikta\u015f ve Cihangir’de ge\u00e7ti.<\/p>\n\n\n\n
Adnan Veli ve F\u00fcruzan (Yolyapan) isimli 2 karde\u015fi olan Kan\u0131k, m\u00fctareke s\u0131ras\u0131nda Akaretler’de bulunan Anafartalar \u0130lkokulunun ana s\u0131n\u0131f\u0131na devam etti. Kan\u0131k, 7 ya\u015f\u0131ndayken son Halife Abd\u00fclmecid’in Y\u0131ld\u0131z Saray\u0131’nda d\u00fczenledi\u011fi t\u00f6rende s\u00fcnnet edildi.<\/p>\n\n\n\n
Edebiyat sevgisinin ilk tohumlar\u0131n\u0131n ekildi\u011fi Galatasaray Lisesi’nde, yat\u0131l\u0131 olarak ilkokula ba\u015flayan Kan\u0131k’\u0131n \u00e7ocukken yazd\u0131\u011f\u0131 ilk hikayesi, \u00c7ocuk D\u00fcnyas\u0131 dergisinde bas\u0131ld\u0131.<\/p>\n\n\n\n
Mehmet Veli Bey, Cumhuriyet’in ilan\u0131ndan sonra Ankara’da Cumhurba\u015fkanl\u0131\u011f\u0131 Senfoni Orkestras\u0131 \u015fefli\u011fine tayini \u00e7\u0131k\u0131nca ailesiyle Ankara’ya ta\u015f\u0131nd\u0131.<\/p>\n\n\n\n
Orhan Veli Kan\u0131k, ilkokulu Ankara Gazi \u0130lkokulu’nda, orta \u00f6\u011frenimini Ankara Erkek Lisesi’nde tamamlad\u0131. Ortaokulda, Garip ak\u0131m\u0131n\u0131 birlikte ba\u015flatacaklar\u0131 Oktay Rifat Horozcu ile arkada\u015f olan usta \u015fair, birka\u00e7 y\u0131l sonra Halkevlerinde bir m\u00fcsamere s\u0131ras\u0131nda Melih Cevdet Anday ile tan\u0131\u015ft\u0131.<\/p>\n\n\n\n
Lisedeyken hocalar\u0131 Ahmet Hamdi Tanp\u0131nar, R\u0131fk\u0131 Melul Meri\u00e7, Halil Vedat F\u0131rt\u0131nal\u0131 ve Yahya Saim Sinano\u011flu’nun ilgisiyle kar\u015f\u0131la\u015fan Kan\u0131k, ilk yaz\u0131lar\u0131n\u0131, lisedeyken \u00e7\u0131kard\u0131\u011f\u0131 Sesimiz adl\u0131 okul dergisinde yay\u0131mlad\u0131. Kan\u0131k, ilk yaz\u0131lar\u0131nda aruz veznini kulland\u0131.<\/p>\n\n\n\n
Unutulmaz \u015fairin ilk \u015fiirleri Nahit S\u0131rr\u0131 \u00d6rik’in te\u015fvikiyle d\u00f6nemin \u00f6nemli edebiyat dergilerinden Varl\u0131k’\u0131n yan\u0131 s\u0131ra \u0130nsan, Ses, Gen\u00e7lik, K\u00fcll\u00fck, \u0130nk\u0131lap\u00e7\u0131 Gen\u00e7lik dergilerinde okuyucuyla bulu\u015ftu.<\/p>\n\n\n\n
\u015eiirlerini zaman zaman Mehmet Ali Sel takma ismiyle yay\u0131mlayan Kan\u0131k, 1932’de \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi Felsefe B\u00f6l\u00fcm\u00fcne girdi ancak okulu tamamlayamad\u0131.<\/p>\n\n\n\n
Kan\u0131k, bir s\u00fcre Galatasaray Lisesi’nde \u00f6\u011fretmen yard\u0131mc\u0131s\u0131 olarak g\u00f6rev ald\u0131, 1936-1942’de ise Ankara PTT Genel M\u00fcd\u00fcrl\u00fc\u011f\u00fc Telgraf \u0130\u015fleri Reisli\u011fi Milletleraras\u0131 Nizamlar B\u00fcrosu’nda \u00e7al\u0131\u015ft\u0131.<\/p>\n\n\n\n
Gelibolu’da vatani g\u00f6revini yaparken kaleme ald\u0131\u011f\u0131 c\u00fcmlelerde, hayat\u0131n\u0131n 25 y\u0131l\u0131n\u0131 \u00f6zetleyen Kan\u0131k, “1914’te do\u011fdum. 1 ya\u015f\u0131nda kurba\u011fadan korktum. 9 ya\u015f\u0131nda okumaya, 10 ya\u015f\u0131nda yazmaya merak sard\u0131m. 13’te Oktay Rifat’\u0131, 16’da Melih Cevdet’i tan\u0131d\u0131m. 17 ya\u015f\u0131nda bara gittim. 18’de rak\u0131ya ba\u015flad\u0131m. 19’dan sonra avarelik devrim ba\u015flar. 20 ya\u015f\u0131ndan sonra da para kazanmas\u0131n\u0131 ve sefalet \u00e7ekmesini \u00f6\u011frendim. 25’te ba\u015f\u0131mdan bir otomobil kazas\u0131 ge\u00e7ti. \u00c7ok a\u015f\u0131k oldum. Hi\u00e7 evlenmedim, \u015fimdi askerim” ifadelerini kullanm\u0131\u015ft\u0131.<\/p>\n\n\n\n
Hece \u00f6l\u00e7\u00fcs\u00fcne dayanan, kafiye ve redife \u00f6zen g\u00f6steren ilk d\u00f6nem \u015fiirlerinde ge\u00e7mi\u015fi \u00f6zleyi\u015f, \u00e7ocukluk an\u0131lar\u0131, do\u011fa sevgisi, umutsuzluk ve yaln\u0131zl\u0131k gibi temalar\u0131 h\u00fcz\u00fcnl\u00fc bir dille i\u015fleyen \u015fair, eski bi\u00e7imde yazd\u0131\u011f\u0131 i\u00e7in bu \u015fiirleri kitaplar\u0131na almad\u0131. Kan\u0131k, ‘yeni bi\u00e7imli’ ilk \u015fiiri ‘A\u011fa\u00e7’\u0131 Oktay Rifat Horozcu ile yay\u0131mlad\u0131.<\/p>\n\n\n\n
Usta \u015fair, Frans\u0131z sembolistlerin etkisinden kurtuldu, vezin, kafiye ve s\u00f6z sanatlar\u0131n\u0131 b\u0131rakarak, serbest \u015fiire y\u00f6neldi. Sokaktaki insan\u0131n \u015fiirini yazd\u0131.<\/p>\n\n\n\n
Liseden arkada\u015flar\u0131 Oktay Rifat Horozcu ve Melih Cevdet Anday ile 1941’de Garip adl\u0131 \u015fiir kitab\u0131n\u0131 yay\u0131nlayan Kan\u0131k, T\u00fcrk \u015fiirindeki yenile\u015fme hareketini ba\u015flatt\u0131. Garip ak\u0131m\u0131, T\u00fcrk \u015fiirinde b\u00fcy\u00fck bir k\u0131r\u0131lman\u0131n ve k\u00f6kl\u00fc bir de\u011fi\u015fikli\u011fin sembol\u00fc oldu.<\/p>\n\n\n\n
Kan\u0131k, Garip kitab\u0131n\u0131n \u00f6n s\u00f6z\u00fcnde, isim belirtmeden hem Naz\u0131m Hikmet’in toplumcu \u015fiirine hem de simgeci ve geleneksel hece \u015fiirine kar\u015f\u0131 \u00e7\u0131kt\u0131. \u015eiirin, insan\u0131n be\u015f duyusuna de\u011fil kafas\u0131na hitap eden bir s\u00f6z sanat\u0131 oldu\u011funu savunan \u015fair, \u00f6l\u00e7\u00fc ve kafiyenin \u015fiiri yozla\u015ft\u0131rd\u0131\u011f\u0131n\u0131, bunun i\u00e7in \u015fairaneli\u011fe s\u0131rt \u00e7evrilerek yeni ara\u00e7lar ve yeni yollarla \u00e7o\u011funlu\u011fa seslenmek gerekti\u011fini vurgulad\u0131.<\/p>\n\n\n\n
Orhan Veli Kan\u0131k, 1945’te ba\u015flad\u0131\u011f\u0131 Milli E\u011fitim Bakanl\u0131\u011f\u0131 Terc\u00fcme B\u00fcrosundaki g\u00f6revinden 1947’de ayr\u0131ld\u0131.<\/p>\n\n\n\n
1 Ocak 1949’dan itibaren 15 g\u00fcnde bir yay\u0131mlanan iki sayfal\u0131k “Yaprak” dergisini \u00e7\u0131karmaya ba\u015flayan usta kalem, 15 Haziran 1950’ye kadar 27 say\u0131 yay\u0131mlanan dergiyi maddi s\u0131k\u0131nt\u0131lar nedeniyle yay\u0131mlayamay\u0131nca Ankara’dan \u0130stanbul’a d\u00f6nd\u00fc.<\/p>\n\n\n\n
Naz\u0131m Hikmet i\u00e7in “G\u00f6rm\u00fcyor musun, Her yanda h\u00fcrriyet; \/Yelken ol, k\u00fcrek ol, d\u00fcmen ol, bal\u0131k ol, su ol; \/Git gidebildi\u011fin yere…” dizelerini yazan Kan\u0131k, di\u011fer yazarlarla 1950’de cezaevinde a\u00e7l\u0131k grevi yapan Naz\u0131m Hikmet’e destek oldu.<\/p>\n\n\n\n
“\u0130stanbul’da, Bo\u011fazi\u00e7i’nde\/Bir fakir Orhan Veli’yim\/Veli’nin o\u011fluyum\/Tarifsiz kederler i\u00e7indeyim” dizelerini kaleme alan \u015fairin \u015fiirlerini, babas\u0131 besteledi.<\/p>\n\n\n\n
“\u00d6l\u00fcme Yak\u0131n” ba\u015fl\u0131kl\u0131 \u015fiirinde, “\u00d6l\u00fcnce kirlerimizden temizlenir \/ \u00d6l\u00fcnce biz de iyi adam oluruz \/ \u015e\u00f6hretmi\u015f, kad\u0131nm\u0131\u015f, para h\u0131rs\u0131ym\u0131\u015f \/ Hepsini unuturuz” dizelerini yazan \u015fair, Kas\u0131m 1950’de Ankara’da, belediyenin kablo d\u00f6\u015fetmek i\u00e7in a\u00e7t\u0131rd\u0131\u011f\u0131 \u00e7ukura d\u00fc\u015ferek ba\u015f\u0131ndan yaraland\u0131.<\/p>\n\n\n\n
\u0130stanbul’a d\u00f6nd\u00fckten sonra bir arkada\u015f\u0131n\u0131n evinde otururken birden fenala\u015fan \u015fair, kald\u0131r\u0131ld\u0131\u011f\u0131 hastanede beyin kanamas\u0131 dolay\u0131s\u0131yla 14 Kas\u0131m 1950’de vefat etti. Cenazesi, Rumelihisar\u0131 A\u015fiyan Mezarl\u0131\u011f\u0131’nda, tasar\u0131m\u0131n\u0131 Abidin Dino’nun yapt\u0131\u011f\u0131 mezara defnedildi.<\/p>\n\n\n\n<\/figure>\n\n\n\n