{"id":8100,"date":"2026-05-17T16:56:50","date_gmt":"2026-05-17T13:56:50","guid":{"rendered":"https:\/\/gundexia.com\/?p=8100"},"modified":"2026-05-17T16:56:53","modified_gmt":"2026-05-17T13:56:53","slug":"kitap-raflarinda-bu-haftanin-one-cikanlari","status":"publish","type":"post","link":"https:\/\/gundexia.com\/?p=8100","title":{"rendered":"Kitap Raflar\u0131nda Bu Haftan\u0131n \u00d6ne \u00c7\u0131kanlar\u0131"},"content":{"rendered":"\n

Roman, \u00f6yk\u00fc, \u015fiir, ara\u015ft\u0131rma, biyografi ve an\u0131 t\u00fcrlerinde yay\u0131mlanan yeni eserler bu hafta da okurlarla bulu\u015ftu. \u0130\u015fte edebiyat d\u00fcnyas\u0131n\u0131n dikkat \u00e7eken yeni kitaplar\u0131\u2026 \u0130yi okumalar.<\/strong><\/p>\n\n\n\n

Tolstoy\u2019un devrimci idealizmden ahlaki radikalizme y\u00f6neli\u015fini belgeleyen roman\u0131 Dekabristler, 1825\u2019teki ba\u015far\u0131s\u0131z Dekabrist Ayaklanmas\u0131 sonras\u0131nda Rus aristokrasisinin i\u00e7inden \u00e7\u0131kan devrimci subaylar\u0131n ve ailelerinin ya\u015fad\u0131\u011f\u0131 ahlaki ve insani \u00e7\u00f6z\u00fclmeyi konu al\u0131yor. Devletin cezaland\u0131r\u0131c\u0131 g\u00fcc\u00fcyle bireyin vicdan\u0131 aras\u0131ndaki gerilim, roman\u0131n arka plan\u0131n\u0131 olu\u015fturur. Roman, isyan\u0131n kendisini de\u011fil bu isyan\u0131n ard\u0131ndan gelen s\u00fcrg\u00fcn, bekleyi\u015f ve i\u00e7 hesapla\u015fma s\u00fcrecini anlat\u0131r. Ayaklanmaya kat\u0131lan subaylar idam edilmi\u015f ya da Sibirya\u2019ya s\u00fcrg\u00fcne g\u00f6nderilmi\u015ftir. Can Yay\u0131nlar\u0131’ndan \u00e7\u0131kan roman, bu yenilginin ard\u0131ndan hayatta kalanlar\u0131n yeni bir d\u00fczen kurma \u00e7abas\u0131n\u0131 izler. S\u00fcrg\u00fcndeki Dekabristler a\u011f\u0131r do\u011fa ko\u015fullar\u0131, yoksulluk ve devlet bask\u0131s\u0131 alt\u0131nda, bir zamanlar savunduklar\u0131 ideallerin g\u00fcnl\u00fck hayat i\u00e7inde nas\u0131l anlam de\u011fi\u015ftirdi\u011fini sorgularlar. Politik ama\u00e7lar yerini ahlaki dayan\u0131kl\u0131l\u0131k, sab\u0131r ve insan onuru gibi daha temel de\u011ferlere b\u0131rak\u0131r.<\/p>\n\n\n\n

2<\/p>\n\n\n\n

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GECE YARISI TREN\u0130<\/strong>
(Matt Haig)

Matt Haig, t\u00fcm d\u00fcnyay\u0131 kas\u0131p kavuran Gece Yar\u0131s\u0131 K\u00fct\u00fcphanesi<\/em> ile ayn\u0131 evrende ge\u00e7en, y\u00fcre\u011finize dokunacak yeni bir hik\u00e2yeye davet ediyor: Gece Yar\u0131s\u0131 Treni<\/em>… Nora Seed gece yar\u0131s\u0131 oldu\u011funda \u00f6lmemeyi \u00f6\u011frenmi\u015fti. Wilbur Budd ise gece yar\u0131s\u0131 oldu\u011funda ya\u015famay\u0131 \u00f6\u011frenmek zorunda. Bir kitap\u00e7\u0131 zinciri sahibi Wilbur, 81 y\u0131ll\u0131k \u00f6mr\u00fcn\u00fcn \u00e7o\u011funu i\u015fine adam\u0131\u015f, bu u\u011furda b\u00fcy\u00fck a\u015fk\u0131 Maggie\u2019yi ihmal etmi\u015ftir. Y\u0131llar sonra gelen bir telefonla tam umutlanm\u0131\u015fken \u00f6l\u00fcm kap\u0131da belirir. Ancak bu kez bir son de\u011fil, bir tren yolculu\u011funun ba\u015flang\u0131c\u0131 olarak. Wilbur bu trenle ge\u00e7mi\u015fine, hayat\u0131n\u0131n en karanl\u0131k ve en parlak anlar\u0131na do\u011fru ilerleyecek. Tek bir kural var: Ge\u00e7mi\u015fteki halinle asla konu\u015fma. Peki, insan her \u015feyi berbat etti\u011fini bildi\u011fi o \u00e2na geri d\u00f6nse, kurala uyup izlemekle mi yetinir yoksa ba\u015fka bir hayat ya\u015famak u\u011fruna raydan \u00e7\u0131kmay\u0131 m\u0131 se\u00e7er? Domingo Yay\u0131nlar\u0131’ndan \u00e7\u0131kan Gece Yar\u0131s\u0131 Treni pi\u015fmanl\u0131klar, ikinci \u015fanslar ve ya\u015famak denilen o mucizevi eylem \u00fczerine b\u00fcy\u00fcleyici bir zaman yolculu\u011fu. Hayat\u0131n\u0131z bir film \u015feridi gibi g\u00f6zlerinizin \u00f6n\u00fcnden ge\u00e7seydi, siz hangi sahnede durdururdunuz?<\/p>\n\n\n\n

3<\/p>\n\n\n\n

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SOYGUN<\/strong>
(\u0130skender Pala)

\u201cSerpintili ya\u011fmur ve sert r\u00fczg\u00e2r alt\u0131nda sadaret landosu Bab-\u0131 H\u00fcmayun\u2019dan d\u00f6rtnala girdi. Ayasofya m\u00fcezzinleri ak\u015fam ezan\u0131n\u0131 okuyordu; Haydin kurtulu\u015fa!… Kurtulabilecek miydi acaba? Daha \u00fc\u00e7 saat evvel \u00e7\u0131kt\u0131\u011f\u0131 kap\u0131dan tekrar girerken i\u00e7indeki duygular karmakar\u0131\u015f\u0131kt\u0131. Cuma selaml\u0131\u011f\u0131ndan sonra Sultan Mahmut Hazretleri ba\u015f\u0131n\u0131n a\u011fr\u0131d\u0131\u011f\u0131ndan \u015fik\u00e2yetle bir par\u00e7a istirahat edece\u011fini s\u00f6ylemi\u015f, o da Pa\u015fakap\u0131s\u0131\u2019na d\u00f6nm\u00fc\u015ft\u00fc. Padi\u015fah\u0131 d\u00fc\u015f\u00fcnd\u00fc. Zavall\u0131 adam, tek ba\u015f\u0131na bir \u00fclkeyi ayakta tutmaya \u00e7al\u0131\u015f\u0131yordu. Mektepler a\u00e7t\u0131r\u0131yor, \u0131slahatlar yapt\u0131r\u0131yor, \u00fclkeyi kalk\u0131nd\u0131rmaya \u00e7al\u0131\u015f\u0131yordu. Ama zaman, mutsuz insanlar zaman\u0131yd\u0131. Halk\u0131 fikren \u00e7atlam\u0131\u015f, herkes birbirine \u00e7emkirir olmu\u015ftu. Devlet aleyhine \u00e7al\u0131\u015fan \u015fer \u015febekeleri her yandayd\u0131. Y\u00fczy\u0131llarca \u00fclkenin \u015fan\u0131 ve \u015ferefi olmu\u015f Hac\u0131 Bekta\u015f\u2019\u0131n kutsal kazan\u0131 yine devrilmi\u015f, ordu ile millet kar\u015f\u0131 kar\u015f\u0131ya gelmi\u015fti.\u201d 1826 sonbahar\u0131n\u0131n puslu g\u00fcnleri\u2026 Zindanda bir m\u00fcderris, arastada bir m\u00fccellit, Kapal\u0131\u00e7ar\u015f\u0131\u2019da bir elmast\u0131ra\u015f. Saray\u0131n en de\u011ferli m\u00fccevherini \u00e7almalar\u0131 gerekiyor. Bir c\u00fcnd\u00eeye ihtiya\u00e7lar\u0131 var, bir de h\u0131rs\u0131za\u2026 Peki ya h\u0131rs\u0131z \u00e2\u015f\u0131k ise?!.. \u0130skender Pala\u2019n\u0131n kaleminden ‘Soygun’ Kap\u0131 Yay\u0131nlar\u0131’ndan \u00e7\u0131kt\u0131.<\/p>\n\n\n\n

\u00d6zel \u0130\u00e7erikler<\/p>\n\n\n\n

T\u00dcM\u00dc<\/a><\/p>\n\n\n\n

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\"Bel\u00e7ika'n\u0131n<\/a>
Bel\u00e7ika’n\u0131n 30 ya\u015f\u0131nda \u00f6len krali\u00e7esi Astrid’in ruhu hakikaten g\u00f6r\u00fcnd\u00fc m\u00fc?<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Zihinlerdeki<\/a>
Zihinlerdeki i\u015fgal<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\""Re\u00e7eteci"<\/a>
“Re\u00e7eteci” ayd\u0131nlar ve “Yorgun Sava\u015f\u00e7\u0131”y\u0131 yakan devlet<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\""F\u00fcnye":<\/a>
“F\u00fcnye”: Kahraman kim, k\u00f6t\u00fc adam kim?<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Sahan\u0131n<\/a>
Sahan\u0131n en iyisi Asen!<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Pekin'de<\/a>
Pekin’de D\u00fcnya payla\u015f\u0131ld\u0131 m\u0131?<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Dijital<\/a>
Dijital vatana kim sahip \u00e7\u0131kacak?<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Enflasyona<\/a>
Enflasyona 5 puanl\u0131k ‘sava\u015f primi’<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Teknolojik<\/a>
Teknolojik elitlerin sessiz darbesi: \u0130nsanl\u0131\u011f\u0131 “Eski Model” ilan etmek<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"\u015eeytan'\u0131n<\/a>
\u015eeytan’\u0131n b\u00fct\u00e7esi art\u0131k Prada’ya yetmiyor<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Bazen<\/a>
Bazen tarih kendini kaleme al\u0131r!<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Benim<\/a>
Benim i\u00e7in 10 Kas\u0131m<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Gazze'de<\/a>
Gazze’de ate\u015fkesin garantisi\u2026<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"\u0130ptal<\/a>
\u0130ptal k\u00fclt\u00fcr\u00fcn\u00fcn iki y\u00fcz\u00fc \u2013 Rusya’ya hemen, \u0130srail’e belki!<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"Ad\u0131n\u0131z<\/a>
Ad\u0131n\u0131z art\u0131k sadece skor tabelas\u0131nda de\u011fil, kalplerimizde de yaz\u0131l\u0131<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

\u0130LG\u0130N\u0130Z\u0130 \u00c7EKEB\u0130L\u0130R<\/p>\n\n\n\n

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\"Iron<\/a>
Iron Man Robert Downey Jr’\u0131n \u00f6zde\u015f sesi: G\u00fcnyol Bako\u011flu<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"\u0130\u015f<\/a>
\u0130\u015f K\u00fclt\u00fcr\u2019de may\u0131s ay\u0131n\u0131n kitaplar\u0131<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n

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\"\u0130skandinav<\/a>
\u0130skandinav caz\u0131n\u0131n divas\u0131 Lisa Ekdahl, \u0130\u015f Sanat\u2019tayd\u0131!<\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
\nhttps:\/\/4ba314ab496ca530381a29750d308465.safeframe.googlesyndication.com\/safeframe\/1-0-45\/html\/container.html\n<\/div><\/figure>\n\n\n\n

BAKMADAN GE\u00c7ME<\/p>\n\n\n\n

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01<\/a>\u0130\u015fte haftan\u0131n k\u00fclt\u00fcr sanat ajandas\u0131<\/strong><\/a><\/p>\n\n\n\n

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02<\/a>\u0130stanbul Tiyatro Festivali’nin 2027-2028 k\u00fcrat\u00f6rleri a\u00e7\u0131kland\u0131<\/strong><\/a><\/p>\n\n\n\n

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03<\/a>‘Engelsiz Sahne’ ile tiyatro herkes i\u00e7in eri\u015filebilir olacak<\/strong><\/a><\/p>\n\n\n\n

\nhttps:\/\/4ba314ab496ca530381a29750d308465.safeframe.googlesyndication.com\/safeframe\/1-0-45\/html\/container.html\n<\/div><\/figure>\n\n\n\n
\nhttps:\/\/4ba314ab496ca530381a29750d308465.safeframe.googlesyndication.com\/safeframe\/1-0-45\/html\/container.html\n<\/div><\/figure>\n\n\n\n

4<\/p>\n\n\n\n

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KAVGANIN G\u00d6BE\u011e\u0130NDE B\u0130R \u015eA\u0130R-\u0130SMET \u00d6ZEL POET\u0130KASI<\/strong>
(Salim Nacar)

G\u00fcn\u00fcm\u00fcz T\u00fcrk \u015fiirinin \u00f6nemli isimlerinden Salim Nacar, \u0130smet \u00d6zel’in \u015eiir Okuma K\u0131lavuzu’ndan hareketle okuru poetik, politik ve ontolojik bir yolculu\u011fa \u00e7a\u011f\u0131r\u0131yor. \u00c7o\u011fu zaman edebiyat\u0131n teknik yap\u0131s\u0131na dair bir metin gibi alg\u0131lanan \u015eiir Okuma K\u0131lavuzu; bu kitapta 1970 sonras\u0131 T\u00fcrk \u015fiirinin, d\u00fc\u015f\u00fcnce hayat\u0131n\u0131n ve entelekt\u00fcel sermayesinin merkez\u00ee metinlerinden biri olarak yorumlan\u0131yor. Nacar, \u00d6zel’in Marksist d\u00fc\u015f\u00fcnceden \u0130slami d\u00fcnya g\u00f6r\u00fc\u015f\u00fcne uzanan fikr\u00ee s\u00fcreklili\u011fini, modernli\u011fe y\u00f6nelik ele\u015ftirilerini ve T\u00fcrkl\u00fck \u015fuurunu \u015fiir \u00fczerinden temellendirerek \u015fiiri bir m\u00fcdafaa hatt\u0131na nas\u0131l d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fcn\u00fc titizlikle inceliyor…. Bu poetik incelemede Yahya Kemal, Ahmed H\u00e2\u015fim ve Mehmed \u00c2kif gibi kurucu isimlerden Garip’e, \u0130kinci Yeni’den modern T\u00fcrk \u015fiirinin savunusuna kadar uzanan geni\u015f bir yelpazede T\u00fcrk \u015fiirinin m\u00fcfredat\u0131, tav\u0131rlar\u0131 ve k\u0131r\u0131lma noktalar\u0131; \u015fairin duru\u015fu, \u015fiirin toplumsal kar\u015f\u0131l\u0131\u011f\u0131 ve edebiyat\u0131n ahlak\u00ee zemini hakk\u0131ndaki \u00e7etin sorular \u00fczerinden g\u00fcncel bir perspektifle masaya yat\u0131r\u0131l\u0131yor.Kavgan\u0131n G\u00f6be\u011finde Bir \u015eair, Kant esteti\u011finden Baudelaire’e, Pound’dan Eliot’a uzanan modern \u015fiir tecr\u00fcbesiyle T\u00fcrk \u015fiiri aras\u0131nda k\u00f6pr\u00fcler kuruyor.<\/p>\n\n\n\n

5<\/p>\n\n\n\n

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MADAM BARBUNYA<\/strong>
(Selin Hamurkesen Bosquet)

Selin Hamurkesen Bosquet’in kaleminden Madam Barbunya: Anne Mutfa\u011f\u0131ndan Kendi Gl\u00fctensiz Mutfa\u011f\u0131ma Yolculuk Hikayem, yeme\u011fin yaln\u0131zca kar\u0131n doyurdu\u011fu de\u011fil, sevgiyi ve ba\u011f\u0131 payla\u015fman\u0131n dili oldu\u011fu bir evde b\u00fcy\u00fcmenin hik\u00e2yesini anlat\u0131yor. Alfa Yay\u0131nlar\u0131’ndan \u00e7\u0131kan kitap yazar\u0131n kimli\u011fini \u015fekillendiren iki g\u00fc\u00e7l\u00fc kad\u0131na; Madam Barbunya lakapl\u0131 zarafet ve lezzet ustas\u0131 annesi Ani’ye ve mutfa\u011f\u0131 t\u00fcm aileyi birle\u015ftiren bir ya\u015fam alan\u0131 haline getiren anneannesi Araksi’ye bir sayg\u0131 duru\u015fu niteli\u011fi ta\u015f\u0131yor. Okurlar; 1970’ler ve 80’lerin Bak\u0131rk\u00f6y, Ye\u015filk\u00f6y, \u00c7\u0131narl\u0131 K\u00f6y\u00fc ve Silivri’sinde ge\u00e7en alt\u0131n y\u0131llara do\u011fru nostaljik bir yolculu\u011fa \u00e7\u0131karken, pavuryalar\u0131n kaynat\u0131ld\u0131\u011f\u0131 yaz ak\u015famlar\u0131n\u0131n, kalabal\u0131k sofralar\u0131n, Noel ve Paskalya kutlamalar\u0131n\u0131n s\u0131cakl\u0131\u011f\u0131n\u0131 hissedecekler. Bosquet, so\u011fan do\u011frarken g\u00f6zya\u015flar\u0131na kar\u0131\u015fan an\u0131lar\u0131n\u0131 ve sofrayla birlikte kendisinin de y\u0131llar i\u00e7inde nas\u0131l pi\u015fti\u011fini sat\u0131rlara d\u00f6k\u00fcyor.<\/p>\n\n\n\n

6<\/p>\n\n\n\n

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MUTFAK<\/strong>
(Banana Yoshimoto)

Mutfak, annelik, kay\u0131p, d\u00f6n\u00fc\u015f\u00fcm, a\u015fk ve trajedinin i\u00e7 i\u00e7e ge\u00e7ti\u011fi iki etkileyici anlat\u0131y\u0131 bir araya getiriyor. \u0130lk kez 1987\u2019de yay\u0131mland\u0131\u011f\u0131nda Japonya\u2019n\u0131n en prestijli edebiyat \u00f6d\u00fcllerinden ikisini kazanan eser, bir y\u0131l\u0131 a\u015fk\u0131n s\u00fcre \u00e7ok satanlar listelerinin zirvesinde kald\u0131 ve milyonlarca okura ula\u015ft\u0131. Banana Yoshimoto, bu kitapla The Independent on Sunday taraf\u0131ndan \u201cgen\u00e7 Japonya\u2019n\u0131n sesi\u201d olarak an\u0131ld\u0131. New York Times, “Yoshimoto\u2019nun dili berrak, i\u00e7ten ve okuru savunmas\u0131z yakalayacak kadar etkileyici; duygular\u0131 g\u00f6zlemlemedeki g\u00fcc\u00fc Jane Smiley kadar keskin, anlat\u0131m\u0131 ise Anne Tyler kadar ak\u0131c\u0131\u2026 Mutfak hem tan\u0131d\u0131k hem de tuhaf bir d\u00fcnya kuruyor\u201d diye yazd\u0131. Beyaz Baybu\u015f Yay\u0131nlar\u0131’ndan \u00e7\u0131kan bu \u00f6zel bask\u0131, \u00e7a\u011fda\u015f\u201a edebiyat\u0131n en \u00f6zg\u00fcn ve sars\u0131c\u0131 metinlerinden birinin 30. y\u0131l\u0131na sayg\u0131 duru\u015fu niteli\u011finde.<\/p>\n\n\n\n

KARA HABERC\u0130LER – SE\u00c7\u0130LM\u0130\u015e \u015e\u0130\u0130RLER
(C\u00e9sar Vallejo)<\/p>\n\n\n\n

Peru\u2019da, s\u00f6m\u00fcrge yoksullu\u011funun t\u00fcm izlerini ta\u015f\u0131yan bir da\u011f k\u00f6y\u00fcnde do\u011fan C\u00e9sar Vallejo, 20. y\u00fczy\u0131l modernizminin \u00f6nc\u00fc \u015fairlerinden biridir. K\u0131z\u0131lderili s\u00f6zel miras\u0131n\u0131, Avrupa yaz\u0131nsal geleneklerini ve Peru mestizo k\u00fclt\u00fcr\u00fcn\u00fcn birikimlerini t\u00fcm\u00fcyle kendine \u00f6zg\u00fc bir \u015fiir dilinde yeniden yap\u0131land\u0131rm\u0131\u015ft\u0131r. Ger\u00e7ek\u00fcst\u00fcc\u00fcl\u00fc\u011f\u00fcn yaz\u0131nsal ortamlar\u0131 sarst\u0131\u011f\u0131 y\u0131llarda yerle\u015fik dilbilimsel kurallar\u0131n s\u0131n\u0131rlar\u0131n\u0131 a\u015farak somut, \u00e7arp\u0131k, dili \u015fiddetiyle bozan bir s\u00f6zdizimi geli\u015ftirmi\u015ftir. Bi\u00e7ime de yans\u0131yan \u201cal\u0131\u015f\u0131lmad\u0131k g\u00fcr\u00fclt\u00fc\u201d Vallejo \u015fiirini sald\u0131rgan ve \u201cg\u00fczel olmayan\u201d bir d\u00fczeye ta\u015f\u0131m\u0131\u015f, bir\u00e7ok sayg\u0131n ele\u015ftirmenin i\u015faret etti\u011fi \u201cbenzeri g\u00f6r\u00fclmemi\u015f, ham bir dil\u201di ortaya \u00e7\u0131karm\u0131\u015ft\u0131r. Varolu\u015fun do\u011fas\u0131nda i\u00e7erili hazin hayal k\u0131r\u0131kl\u0131\u011f\u0131n\u0131 ve insanl\u0131k durumunun umutla umutsuzluk aras\u0131nda sal\u0131nan karma\u015fas\u0131n\u0131 ifade eden bu e\u015fsiz dilin en b\u00fcy\u00fck ba\u015far\u0131s\u0131, her \u015fiiri zorlu\u011fun ve ac\u0131n\u0131n tan\u0131nmas\u0131n\u0131 i\u00e7eren d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc bir bilin\u00e7 eylemi h\u00e2line getirmesidir. Ayr\u0131nt\u0131 Yay\u0131nlar\u0131’ndan \u00e7\u0131kan Kara Haberciler, Neruda\u2019ya g\u00f6re, \u201cOla\u011fan\u00fcst\u00fc g\u00fcce sahip, g\u00f6rkemli bir \u015fiir!\u201d<\/p>\n\n\n\n

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ASUDE BAH\u00c7E<\/strong>
(Funda U\u00e7uk Er)

Asude Bah\u00e7e, psikolojik dan\u0131\u015fman Zeynep\u2019in ofisine isimsiz bir zarfla b\u0131rak\u0131lan eski bir g\u00fcnl\u00fc\u011f\u00fcn a\u00e7t\u0131\u011f\u0131 kap\u0131dan i\u00e7eri giren; 1973 Adana\u2019s\u0131 ile g\u00fcn\u00fcm\u00fcz \u0130stanbul\u2019u aras\u0131nda kurulan iki zamanl\u0131, duygusal derinli\u011fi y\u00fcksek bir roman. G\u00fcnl\u00fc\u011f\u00fcn sat\u0131rlar\u0131, H\u00fcma\u2019n\u0131n ge\u00e7mi\u015fte ya\u015fad\u0131\u011f\u0131 kay\u0131plar\u0131, aile bask\u0131s\u0131n\u0131 ve hayatta kalmak i\u00e7in verdi\u011fi zor kararlar\u0131 g\u00f6r\u00fcn\u00fcr k\u0131larken; okur, bir hayat\u0131n nas\u0131l yeniden kuruldu\u011funa ve bir kimli\u011fin nas\u0131l sessizce de\u011fi\u015fti\u011fine tan\u0131kl\u0131k eder. G\u00fcn\u00fcm\u00fczde Zeynep\u2019in bu g\u00fcnl\u00fc\u011f\u00fcn kay\u0131nvalidesi Miyesser\u2019e ait oldu\u011funu fark etmesiyle, aile i\u00e7inde y\u0131llard\u0131r konu\u015fulmayan ger\u00e7ekler su y\u00fcz\u00fcne \u00e7\u0131kar. \u00d6mer\u2019in ya\u015fad\u0131\u011f\u0131 s\u0131navlar ve evin i\u00e7indeki dengeler de d\u00f6n\u00fc\u015fmeye ba\u015flar. Tasavvuf ehli Dervi\u015f Dede\u2019nin sohbetleriyle g\u00fc\u00e7lenen anlat\u0131; ge\u00e7mi\u015fle y\u00fczle\u015fme, affetme ve teslimiyet temalar\u0131n\u0131 psikolojik bir derinlikle i\u015fler. Tima\u015f Yay\u0131nlar\u0131’ndan \u00e7\u0131kan Asude Bah\u00e7e, aile ba\u011flar\u0131 ve ku\u015faklar aras\u0131 k\u0131r\u0131lmalar \u00fczerinden ilerleyen; merak duygusunu diri tutarken okura i\u00e7sel bir toparlanma hissi de b\u0131rakan etkileyici bir hik\u00e2ye sunuyor.<\/p>\n\n\n\n

9<\/p>\n\n\n\n

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B\u0130R G\u00dcN HERKES \u0130T\u0130RAF EDER<\/strong>
(Muhammed Ramazan Demirci)

Baz\u0131 kitaplar cevap verir; baz\u0131lar\u0131 sessizce soru sorar. Bu kitap, o sessizlerden biri. Cevap aram\u0131yor, seni kendi sessizli\u011fine \u00e7a\u011f\u0131r\u0131yor. Elpis Yay\u0131nlar\u0131’ndan \u00e7\u0131kan Bir G\u00fcn Herkes \u0130tiraf Eder, g\u00fcr\u00fclt\u00fcl\u00fc bir \u00e7a\u011fda yava\u015f d\u00fc\u015f\u00fcnmenin, sade ya\u015faman\u0131n ve i\u00e7 sesini yeniden duyman\u0131n bir denemesi. Ne bir \u00f6\u011f\u00fct kitab\u0131 ne de bir felsefe dersi; daha \u00e7ok, hayat\u0131n kenar\u0131na d\u00fc\u015fen sessiz anlar\u0131n g\u00fcnl\u00fc\u011f\u00fc. Bir fincan \u00e7ay\u0131n buhar\u0131nda, yar\u0131m kalan bir “\u00f6z\u00fcr dilerim”de ya da gecikmi\u015f bir “neden?” sorusunda sakl\u0131 olan anlam\u0131 ar\u0131yor. \u00c7\u00fcnk\u00fc bazen hakikat b\u00fcy\u00fck c\u00fcmlelerde de\u011fil, fark edilmeden ya\u015fanm\u0131\u015f k\u00fc\u00e7\u00fck anlarda gizlidir. Ve belki de b\u00fct\u00fcn mesele D\u00fcnyay\u0131 de\u011fi\u015ftirmek de\u011fil, kendi i\u00e7 sessini yeniden duymay\u0131 hat\u0131rlamakt\u0131r. Kendiyle konu\u015fmaktan korkmayan, anlam\u0131 ararken yava\u015flamay\u0131 g\u00f6ze alan ve modern d\u00fcnyan\u0131n h\u0131z\u0131na ra\u011fmen h\u00e2l\u00e2 i\u00e7ten bir “dur” diye bilenler i\u00e7in…<\/p>\n\n\n\n

\"\"\/<\/figure>\n\n\n\n

MARIE BOT ROBOT DADI<\/strong>
(Liza Szabo)

Alman yazar Liza Szabo, bu e\u011flenceli ilk roman\u0131nda bak\u0131c\u0131 krizine s\u0131rad\u0131\u015f\u0131 bir \u00e7\u00f6z\u00fcm \u00f6neriyor: Robot dad\u0131! G\u00fcn\u00fcm\u00fcz\u00fcn tart\u0131\u015fma konusu yapay zek\u00e2n\u0131n ve robotlar\u0131n insan hayat\u0131na ne \u00f6l\u00e7\u00fcde dahil olabilece\u011fini e\u011flenceli bir \u00fcslupla, s\u00fcr\u00fckleyici bir kurguda ele al\u0131yor. \u00c7ocuklara bak\u0131c\u0131 olmas\u0131 istenen bir robotun m\u00fckemmelli\u011fi, davran\u0131\u015flar\u0131 ve hatta “duygular\u0131” \u00fczerine d\u00fc\u015f\u00fcnd\u00fcr\u00fcyor. G\u00fcn\u0131\u015f\u0131\u011f\u0131 Kitapl\u0131\u011f\u0131’ndan \u00e7\u0131kan ve sanat\u00e7\u0131 Wilm Lindenblatt’\u0131n desenleriyle canlanan hik\u00e2ye, e\u011flenceli oldu\u011fu kadar da sahici… “Karla ve karde\u015fi Finn’in ebeveynleri \u00e7ok yo\u011fun tempoda \u00e7al\u0131\u015f\u0131rlar. Kaybolan e\u015fyalar, son dakika planlar\u0131, hi\u00e7bir i\u015fin yeti\u015fmemesi ve ev kazalar\u0131 derken i\u015fler \u00e7\u0131\u011f\u0131r\u0131ndan \u00e7\u0131km\u0131\u015ft\u0131r. S\u00fcrekli bak\u0131c\u0131 de\u011fi\u015ftiren aile, robot fuar\u0131ndan \u00f6zel olarak tasarlanm\u0131\u015f bir robot dad\u0131y\u0131, Marie Bot’u denemeye karar verir. Sonunda neredeyse kusursuz bir d\u00fczen kurulacak gibidir, \u00e7\u00fcnk\u00fc Marie Bot bir dad\u0131dan daha fazlas\u0131d\u0131r. Kalliske Ailesi’nde ger\u00e7ekten her \u015fey yoluna girecek midir?..”<\/em><\/p>\n\n\n\n

https:\/\/www.haberturk.com\/haftanin-kitaplari-3884866\/10<\/a>
<\/strong>

<\/p>\n","protected":false},"excerpt":{"rendered":"

Roman, \u00f6yk\u00fc, \u015fiir, ara\u015ft\u0131rma, biyografi ve an\u0131 t\u00fcrlerinde yay\u0131mlanan yeni eserler bu hafta da okurlarla bulu\u015ftu. \u0130\u015fte edebiyat d\u00fcnyas\u0131n\u0131n dikkat \u00e7eken yeni kitaplar\u0131\u2026 \u0130yi okumalar. Tolstoy\u2019un devrimci idealizmden ahlaki radikalizme y\u00f6neli\u015fini belgeleyen roman\u0131 Dekabristler, 1825\u2019teki ba\u015far\u0131s\u0131z Dekabrist Ayaklanmas\u0131 sonras\u0131nda Rus aristokrasisinin i\u00e7inden \u00e7\u0131kan devrimci subaylar\u0131n ve ailelerinin ya\u015fad\u0131\u011f\u0131 ahlaki ve insani \u00e7\u00f6z\u00fclmeyi konu al\u0131yor. Devletin […]<\/p>\n","protected":false},"author":3,"featured_media":8101,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-8100","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/gundexia.com\/wp-content\/uploads\/2026\/05\/3884866_c9b4aefc994a559706f764ad84aba13d_640x640.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/8100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8100"}],"version-history":[{"count":1,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/8100\/revisions"}],"predecessor-version":[{"id":8102,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/8100\/revisions\/8102"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/media\/8101"}],"wp:attachment":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8100"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8100"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}