{"id":6922,"date":"2026-05-02T18:14:45","date_gmt":"2026-05-02T15:14:45","guid":{"rendered":"https:\/\/gundexia.com\/?p=6922"},"modified":"2026-05-02T18:14:46","modified_gmt":"2026-05-02T15:14:46","slug":"ahmet-hamdi-tanpinarin-kayip-hikayesi-70-yil-sonra-ortaya-cikti","status":"publish","type":"post","link":"https:\/\/gundexia.com\/?p=6922","title":{"rendered":"Ahmet Hamdi Tanp\u0131nar\u2019\u0131n Kay\u0131p Hik\u00e2yesi 70 Y\u0131l Sonra Ortaya \u00c7\u0131kt\u0131"},"content":{"rendered":"\n

Ahmet Hamdi Tanp\u0131nar\u2019\u0131n \u201cBu Her Ak\u015fam B\u00f6yledir\u201d adl\u0131 bilinmeyen hik\u00e2yesi, Necati Tonga\u2019n\u0131n \u00e7al\u0131\u015fmalar\u0131yla g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131ld\u0131. 70 y\u0131l sonra ortaya \u00e7\u0131kan metin, yazar\u0131n hik\u00e2ye k\u00fclliyat\u0131ndaki \u00f6nemli bir bo\u015flu\u011fu tamamlayan ke\u015fif olarak de\u011ferlendiriliyor.<\/strong><\/p>\n\n\n\n

Ahmet Hamdi Tanp\u0131nar\u2019\u0131n literat\u00fcrde izine rastlanmayan son hik\u00e2yesi \u2018Bu Her Ak\u015fam B\u00f6yledir\u2019, 70 y\u0131l sonra g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kt\u0131. Necati Tonga taraf\u0131ndan ke\u015ffedilen metin, Tanp\u0131nar k\u00fclliyat\u0131ndaki eksik bir halkay\u0131 tamaml\u0131yor.<\/p>\n\n\n\n

Karar\u2019da yer alan habere g\u00f6re, \u2018Huzur\u2019, \u2018Saatleri Ayarlama Enstit\u00fcs\u00fc\u2019 romanlar\u0131yla edebiyat\u0131n mihenk ta\u015flar\u0131ndan biri olan Ahmet Hamdi Tanp\u0131nar hakk\u0131nda bilinenler, bug\u00fcn yeni bir boyut kazand\u0131. Yazar\u0131n 1956 y\u0131l\u0131nda yay\u0131mlanan ve bug\u00fcne kadar bilinmeyen \u2018Bu Her Ak\u015fam B\u00f6yledir\u2019 isimli son hik\u00e2yesi, ara\u015ft\u0131rmac\u0131 yazar Necati Tonga\u2019n\u0131n \u00e7al\u0131\u015fmas\u0131yla g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kt\u0131.<\/p>\n\n\n\n

Konuya ili\u015fkin konu\u015fan Necati Tonga, metnin asl\u0131nda \u00e7ok g\u00f6r\u00fcn\u00fcr bir yerde olmas\u0131na ra\u011fmen bug\u00fcne kadar nas\u0131l fark edilmedi\u011fine \u015fa\u015f\u0131rd\u0131\u011f\u0131n\u0131 belirterek \u015fu ifadeleri kulland\u0131: \u201cAsl\u0131nda \u00e7ok g\u00f6z \u00f6n\u00fcnde bir yerde, 1955\u2019te bas\u0131lan Varl\u0131k y\u0131ll\u0131\u011f\u0131nda, \u2018Yeni Hik\u00e2yeler 1956\u2019 antolojisinde buldum. Tanp\u0131nar\u2019\u0131 iyi bilen birisiyim ama y\u0131ll\u0131\u011f\u0131 okurken bu metni daha \u00f6nce hi\u00e7 okumam\u0131\u015f oldu\u011fumu fark edince b\u00fcy\u00fck \u015fa\u015fk\u0131nl\u0131k ya\u015fad\u0131m. Kay\u0131p olan son hik\u00e2yesi oldu\u011funu fark edince de bir iki hafta i\u00e7inde makalesini yazd\u0131m. Bu metin, yazar\u0131n ilk hik\u00e2ye kitab\u0131 olan \u2018Abdullah Efendi\u2019nin R\u00fcyalar\u0131\u2019ndaki metinlerine \u00e7ok benziyor; i\u00e7inde yo\u011fun ger\u00e7ek\u00fcst\u00fc \u00f6\u011feler bar\u0131nd\u0131r\u0131yor.\u201d<\/p>\n\n\n\n

Yonga, hik\u00e2yenin Tanp\u0131nar\u2019\u0131n yaz\u0131nsal yolculu\u011fundaki \u00f6nemine dair ise \u015funlar\u0131 s\u00f6yledi: \u201cSon hik\u00e2yesi olmas\u0131 bak\u0131m\u0131ndan, yazar\u0131n bu t\u00fcrde geldi\u011fi son noktay\u0131 g\u00f6stermesi a\u00e7\u0131s\u0131ndan \u00e7ok k\u0131ymetli. \u0130\u015fledi\u011fi konu, bar\u0131nd\u0131rd\u0131\u011f\u0131 karamsarl\u0131k ve \u2018ev\u2019 metaforu ile ilk hik\u00e2yeleriyle b\u00fcy\u00fck bir paralellik g\u00f6steriyor. Olduk\u00e7a girift ve derin bir metin. Ayr\u0131ca sinema ile de do\u011frudan ili\u015fkisi olan bir yap\u0131ya sahip.\u201d<\/p>\n\n\n\n

\u201cBu ke\u015fif, bundan sonraki t\u00fcm \u00f6yk\u00fc \u00e7al\u0131\u015fmalar\u0131na \u0131\u015f\u0131k tutacak nitelikte\u201d<\/h3>\n\n\n\n

Son hikaye ile birlikte Tanp\u0131nar k\u00fclliyat\u0131n\u0131n tamamlanmas\u0131 i\u00e7in h\u0131zla harekete ge\u00e7ece\u011fini belirten Tonga, \u201cMakale yay\u0131mland\u0131ktan sonra, Tanp\u0131nar\u2019\u0131n telif haklar\u0131n\u0131 elinde bulunduran Derg\u00e2h Yay\u0131nlar\u0131 ile ileti\u015fime ge\u00e7ece\u011fim. Hik\u00e2yeyi onlara ileterek k\u00fclliyat\u0131na eklenmesini isteyece\u011fim. Hen\u00fcz ke\u015fiften haberleri yok, muhtemelen bu haberle onlar da \u00f6\u011frenmi\u015f olacaklar. Gayem k\u00fclliyat\u0131n eksik kalmamas\u0131. Biz hep eksik metinlerle edebiyat tarihi yaz\u0131yoruz. \u00d6yk\u00fcleri \u00fczerine bir\u00e7ok \u00e7al\u0131\u015fma yap\u0131ld\u0131, bir\u00e7ok kitap \u00e7\u0131kt\u0131 ama Tanp\u0131nar\u2019\u0131n bu metnini bug\u00fcne kadar g\u00f6rmedik, bu son metinden haberdar de\u011fildik. Bu ke\u015fif, bundan sonraki t\u00fcm \u00f6yk\u00fc \u00e7al\u0131\u015fmalar\u0131na \u0131\u015f\u0131k tutacak nitelikte\u201d dedi.<\/p>\n\n\n\n

\u2018Ahmet Hamdi Tanp\u0131nar\u2019\u0131n Unutulmu\u015f Son Hik\u00e2yesi: Bu Her Ak\u015fam B\u00f6yledir\u2019 ba\u015fl\u0131\u011f\u0131 ile yay\u0131mlad\u0131\u011f\u0131 makale, T\u00fcrk Edebiyat\u0131 dergisinin May\u0131s 2026 tarihli 631\u2019inci say\u0131s\u0131nda okurla bulu\u015ftu.<\/p>\n\n\n\n

Eksik par\u00e7alar tamamlan\u0131yor<\/h3>\n\n\n\n

Necati Tonga, T\u00fcrk Edebiyat\u0131 dergisindeki makalesinde, Tanp\u0131nar\u2019\u0131n kay\u0131p metnine dair \u015fu \u00f6nemli tespitlerde bulunuyor:<\/p>\n\n\n\n

Simematografik etki ve Bat\u0131 izleri:<\/strong> Tonga, hik\u00e2yenin kurgusunda sineman\u0131n etkisinin a\u00e7\u0131k\u00e7a hissedildi\u011fini belirtiyor. Tanp\u0131nar\u2019\u0131n hik\u00e2yeyi yazmadan hemen \u00f6nce Paris\u2019te Filmoloji Kongresi\u2019ni takip etti\u011fini hat\u0131rlatan Tonga; metinde Jean Cocteau\u2019nun Orph\u00e9e ve Jean-Paul Sartre\u2019\u0131n Huis-Clos (Gizli Celse) filmlerindeki ger\u00e7ek\u00fcst\u00fc \u00f6\u011felerin izlerinin s\u00fcr\u00fclebilece\u011fini vurguluyor.<\/p>\n\n\n\n

\u2018Mukavvadan ev\u2019 metaforu: <\/strong>Makalede, hik\u00e2yenin \u201cbeyaz ve kirli mukavvadan yap\u0131lm\u0131\u015fa benzeyen\u201d bir ev tasviriyle ba\u015flad\u0131\u011f\u0131na dikkat \u00e7ekiliyor. Tonga, bu mek\u00e2n\u0131n yazar\u0131n \u2018Abdullah Efendi\u2019nin R\u00fcyalar\u0131\u2019 hik\u00e2yesindeki apartman\u0131 hat\u0131rlatt\u0131\u011f\u0131n\u0131; modern insan\u0131n yaln\u0131zl\u0131\u011f\u0131, huzursuzlu\u011fu ve yabanc\u0131la\u015fmas\u0131n\u0131n bu metafor etraf\u0131nda \u015fekillendi\u011fini ifade ediyor.<\/p>\n\n\n\n

Toplumun zalim seyri: <\/strong>Tonga, hik\u00e2yenin merkezindeki \u2018deli\u2019 fig\u00fcr\u00fcn\u00fcn sokaktaki trajik \u00e7\u0131rp\u0131n\u0131\u015f\u0131n\u0131 izleyen ev sakinlerini \u2018mankenlere\u2019 benzetiyor. Sokaktaki adam \u00f6lene kadar ona \u201cYa\u015fa!\u201d diye tezah\u00fcrat yapan bu kalabal\u0131\u011f\u0131n sab\u0131rs\u0131zl\u0131\u011f\u0131 ve duyars\u0131zl\u0131\u011f\u0131, Tonga\u2019ya g\u00f6re insan\u0131n trajik bir atmosferdeki zalimli\u011fini temsil ediyor.<\/p>\n\n\n\n

K\u0131s\u0131rd\u00f6ng\u00fc ve tekd\u00fczelik: <\/strong>Hik\u00e2yenin \u201c\u0130stersen yar\u0131n ak\u015fam yine gelir g\u00f6r\u00fcr\u00fcz\u201d c\u00fcmlesiyle bitmesine dikkat \u00e7eken Tonga, Tanp\u0131nar\u2019\u0131n bu durumun de\u011fi\u015fmeyece\u011finin ve her ak\u015fam benzer bir sahnelerin ya\u015fanaca\u011f\u0131n\u0131n alt\u0131n\u0131 \u00e7izdi\u011fini vurguluyor. Tonga, hikayenin sonunu t\u0131pk\u0131 hi\u00e7 de\u011fi\u015fmeyen ve her ak\u015fam tekrarlanan bir film veya tiyatro oyununa benzetiyor.<\/p>\n\n\n\n

Yazar\u0131n zirvesi:<\/strong> Tonga, hik\u00e2yeyi Tanp\u0131nar hik\u00e2yecili\u011finin temel niteliklerini sergileyen \u2018\u00e7ok girift bir metin\u2019 olarak tan\u0131ml\u0131yor. Yazar\u0131n ne\u015fredilmi\u015f son hik\u00e2yesi olmas\u0131 hasebiyle, bu t\u00fcrde geldi\u011fi son noktay\u0131 ve olgunlu\u011fu g\u00f6stermesi bak\u0131m\u0131ndan tarihi bir \u00f6neme sahip oldu\u011funu vurguluyor.<\/p>\n\n\n\n

Kaynak ve G\u00f6rsel: https:\/\/www.evrensel.net\/haber\/5982253\/ahmet-hamdi-tanpinarin-70-yillik-kayip-hikyesi-bulundu<\/a><\/strong><\/p>\n\n\n\n

KARDE\u015e HABER<\/p>\n\n\n\n

https:\/\/dumendenhaber.com.tr\/2026\/05\/02\/ahmet-hamdi-tanpinarin-kayip-hikayesi-70-yil-sonra-ortaya-cikti\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Ahmet Hamdi Tanp\u0131nar\u2019\u0131n \u201cBu Her Ak\u015fam B\u00f6yledir\u201d adl\u0131 bilinmeyen hik\u00e2yesi, Necati Tonga\u2019n\u0131n \u00e7al\u0131\u015fmalar\u0131yla g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131ld\u0131. 70 y\u0131l sonra ortaya \u00e7\u0131kan metin, yazar\u0131n hik\u00e2ye k\u00fclliyat\u0131ndaki \u00f6nemli bir bo\u015flu\u011fu tamamlayan ke\u015fif olarak de\u011ferlendiriliyor. Ahmet Hamdi Tanp\u0131nar\u2019\u0131n literat\u00fcrde izine rastlanmayan son hik\u00e2yesi \u2018Bu Her Ak\u015fam B\u00f6yledir\u2019, 70 y\u0131l sonra g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kt\u0131. Necati Tonga taraf\u0131ndan ke\u015ffedilen metin, […]<\/p>\n","protected":false},"author":3,"featured_media":6923,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-6922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/gundexia.com\/wp-content\/uploads\/2026\/05\/345629.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/6922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6922"}],"version-history":[{"count":1,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/6922\/revisions"}],"predecessor-version":[{"id":6926,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/6922\/revisions\/6926"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/media\/6923"}],"wp:attachment":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}