{"id":6252,"date":"2026-04-24T19:51:24","date_gmt":"2026-04-24T16:51:24","guid":{"rendered":"https:\/\/gundexia.com\/?p=6252"},"modified":"2026-04-24T19:51:26","modified_gmt":"2026-04-24T16:51:26","slug":"istanbul-modernde-kanada-sinemasinin-seckin-ornekleri","status":"publish","type":"post","link":"https:\/\/gundexia.com\/?p=6252","title":{"rendered":"\u0130stanbul Modern\u2019de Kanada Sinemas\u0131n\u0131n Se\u00e7kin \u00d6rnekleri"},"content":{"rendered":"\n

\u0130stanbul Modern Sinema, 7\u201317 May\u0131s 2026 tarihleri aras\u0131nda 1970\u2019lerden g\u00fcn\u00fcm\u00fcze Kanada sinemas\u0131n\u0131n \u00f6ne \u00e7\u0131kan yap\u0131mlar\u0131n\u0131 bir araya getiriyor; TIFF\u2019in \u201cTop 10 Canadian Films\u201d listesinden ilham alan program, usta y\u00f6netmenlerin dikkat \u00e7eken filmlerini ve uluslararas\u0131 ba\u015far\u0131 yakalam\u0131\u015f yap\u0131mlar\u0131 izleyiciyle bulu\u015fturuyor.<\/strong><\/p>\n\n\n\n

Kanada \u0130stanbul Ba\u015fkonsoloslu\u011fu i\u015fbirli\u011fiyle \u0130stanbul Modern’de 7-17 May\u0131s tarihlerinde ger\u00e7ekle\u015ftirilecek \u201cKanada Top 10\u201d program\u0131, bu \u00fclke sinemas\u0131n\u0131n ku\u015faklar aras\u0131 haf\u0131zas\u0131n\u0131 yans\u0131tan 10 filmden olu\u015fuyor. 2015 y\u0131l\u0131nda Toronto Uluslararas\u0131 Film Festivali’nin (TIFF) ele\u015ftirmenler ve sinemac\u0131lar aras\u0131nda ger\u00e7ekle\u015ftirdi\u011fi anketle belirlenen ve Kanada Ulusal Film Kurulu arac\u0131l\u0131\u011f\u0131yla dola\u015f\u0131ma sokulan \u201cTop 10 Canadian Films\u201d listesine dayanan se\u00e7ki, Kanada sinema k\u00fclt\u00fcr\u00fcn\u00fc \u015fekillendiren etkileyici yap\u0131mlar\u0131 bir araya getiriyor.<\/p>\n\n\n\n

Kanada sinemas\u0131na ku\u015faklararas\u0131 bir bak\u0131\u015f<\/h3>\n\n\n\n

\u0130stanbul Modern Film K\u00fcrat\u00f6r\u00fc M\u00fcge Turan, T\u00fcrkiye\u2019deki ilk geni\u015f kapsaml\u0131 Kanada sinemas\u0131 panoramas\u0131 olarak de\u011ferlendirilebilecek programla ilgili \u015fu de\u011ferlendirmeyi yapt\u0131: \u201c1970\u2019lerden bug\u00fcne kimlik, aidiyet ve anlat\u0131 bi\u00e7imi \u00fczerine kurdu\u011fu cesur sorularla ulusal sinema fikrini s\u00fcrekli yeniden tan\u0131mlayan bir sinema gelene\u011fine odaklan\u0131yor. Farkl\u0131 ku\u015faklardan y\u00f6netmenlerin ki\u015fisel ve politik hik\u00e2yeleri, yenilik\u00e7i sinema dilleri ve yerli anlat\u0131lardan ki\u015fisel haf\u0131zaya uzanan \u00e7o\u011ful estetik yakla\u015f\u0131mlar\u0131, Kanada sinemas\u0131n\u0131n d\u00fcnya sinemas\u0131nda kendine \u00f6zg\u00fc bir yer edinmesini sa\u011flayan zengin hatt\u0131n izini s\u00fcr\u00fcyor.\u201d<\/p>\n\n\n\n

Kanada sinemas\u0131n\u0131n farkl\u0131 d\u00f6nem ve anlat\u0131 bi\u00e7imlerini bir araya getiren bu \u00f6zel se\u00e7ki, bireysel kimlik aray\u0131\u015f\u0131ndan kolektif haf\u0131zaya, toplumsal k\u0131r\u0131lma anlar\u0131ndan ki\u015fisel hik\u00e2yelere uzanan geni\u015f bir perspektif sunuyor. Program g\u00fcn\u00fcm\u00fcz Kanada sinemas\u0131ndan yeni bir ses olan Tracey Deer\u2019\u0131n Beans<\/em> (2020) filmini de i\u00e7eriyor. \u201cKanada Top 10\u201d, Don Shebib\u2019in Yola D\u00fc\u015fmek<\/em> (Goin\u2019 Down the Road<\/em>, 1970) filmiyle ba\u015flayarak Zacharias Kunuk\u2019un Atanarjuat: H\u0131zl\u0131 Ko\u015fucu<\/em> (Atanarjuat: The Fast Runner<\/em>, 2000) filmine uzan\u0131yor. Se\u00e7ki, Atom Egoyan, David Cronenberg, Sarah Polley ve Jean-Marc Vall\u00e9e gibi y\u00f6netmenlerin sinema tarihinde \u00f6ne \u00e7\u0131kan yap\u0131tlar\u0131n\u0131 bir araya getiriyor.<\/p>\n\n\n\n

\u201cKANADA TOP TEN\u201d PROGRAMI (7-17 May\u0131s 2026)<\/h3>\n\n\n\n

C.R.A.Z.Y., 2005<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Jean-Marc Vall\u00e9e<\/p>\n\n\n\n

Oyuncular:<\/strong> Michel C\u00f4t\u00e9, Marc-Andr\u00e9 Grondin, Danielle Proulx<\/p>\n\n\n\n

1960 Noeli\u2019nde do\u011fan Zachary, \u00fc\u00e7 abisi, m\u00fczik tutkunu otoriter bir baba ve ona ba\u011fl\u0131 bir anneyle b\u00fcy\u00fcr. Ancak k\u00fc\u00e7\u00fck ya\u015fta ortaya \u00e7\u0131kan farkl\u0131l\u0131\u011f\u0131, ailesi ve Montr\u00e9al banliy\u00f6s\u00fcndeki i\u015f\u00e7i s\u0131n\u0131f\u0131 \u00e7evresi taraf\u0131ndan kolayca kabul g\u00f6rmez. E\u015fcinselli\u011fini bast\u0131rma iste\u011fi ile kendini ifade etme arzusu aras\u0131ndaki gerilim, filmin temel dinami\u011fini olu\u015fturur. Jean-Marc Vall\u00e9e\u2019nin 1970\u2019ler Qu\u00e9bec\u2019inde ge\u00e7en yar\u0131 otobiyografik filmi, d\u00f6nem atmosferi ve m\u00fczik kullan\u0131m\u0131yla \u00f6ne \u00e7\u0131kar ve Qu\u00e9bec sinemas\u0131n\u0131n uluslararas\u0131 g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc art\u0131ran bir d\u00f6n\u00fcm noktas\u0131d\u0131r.<\/p>\n\n\n\n

BEANS, 2020<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Tracey Deer<\/p>\n\n\n\n

Oyuncular:<\/strong> Kiawentiio, Rainbow Dickerson, Violah Beauvais<\/p>\n\n\n\n

Beans, 1990\u2019daki Oka Krizi\u2019ni 12 ya\u015f\u0131ndaki bir Mohawk k\u0131z\u0131n\u0131n g\u00f6z\u00fcnden anlat\u0131r. Ergenli\u011fin e\u015fi\u011findeki Tekahentakwa, giderek t\u0131rmanan bir toprak \u00e7at\u0131\u015fmas\u0131n\u0131n ortas\u0131nda hem kendi kimli\u011fiyle hem de maruz kald\u0131\u011f\u0131 \u015fiddetle y\u00fczle\u015fmek zorunda kal\u0131r. Ki\u015fisel bir b\u00fcy\u00fcme hik\u00e2yesi ile politik bir k\u0131r\u0131lma an\u0131n\u0131 i\u00e7 i\u00e7e ge\u00e7iren yar\u0131 otobiyografik yakla\u015f\u0131m, Kanada\u2019n\u0131n kolonyal tarihine i\u00e7eriden bir bak\u0131\u015f sunar ve direni\u015f ile aidiyetin nas\u0131l \u015fekillendi\u011fini ortaya koyar.<\/p>\n\n\n\n

YOLA D\u00dc\u015eMEK (GOIN\u2019 DOWN THE ROAD), 1970<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Donald Shebib<\/p>\n\n\n\n

Oyuncular:<\/strong> Doug McGrath, Paul Bradley, Jayne Eastwood<\/p>\n\n\n\n

Kanada \u0130ngilizce sinemas\u0131n\u0131n \u00f6nc\u00fc yap\u0131mlar\u0131ndan biri kabul edilen\u00a0Yola D\u00fc\u015fmek<\/em>, Nova Scotia k\u0131rsal\u0131nda ya\u015fayan iki arkada\u015f\u0131n Toronto\u2019ya uzanan yolculu\u011funu izler. Bir me\u015frubat \u015fi\u015feleme fabrikas\u0131nda i\u015f bulsalar da b\u00fcy\u00fck \u015fehrin vaatleri k\u0131sa s\u00fcrede i\u015fsizlik ve ge\u00e7im s\u0131k\u0131nt\u0131s\u0131na d\u00f6n\u00fc\u015f\u00fcr. Ba\u011f\u0131ms\u0131z \u00fcretim ko\u015fullar\u0131 ve do\u011fa\u00e7lamaya a\u00e7\u0131k, belgesel ger\u00e7ek\u00e7ili\u011fine yakla\u015fan diliyle film, kentle\u015fme ve ekonomik hayal k\u0131r\u0131kl\u0131klar\u0131 \u00fczerine g\u00fcncelli\u011fini koruyan bir g\u00f6\u00e7 hik\u00e2yesi sunar.<\/p>\n\n\n\n

ATANARJUAT: HIZLI KO\u015eUCU (ATANARJUAT: THE FAST RUNNER), 2001<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Zacharias Kunuk<\/p>\n\n\n\n

Oyuncular:<\/strong> Natar Ungalaaq, Sylvia Ivalu, Peter-Henry Arnatsiaq<\/p>\n\n\n\n

Gen\u00e7 ve g\u00fc\u00e7l\u00fc bir avc\u0131 olan Atanarjuat ile Amaqjuaq, topluluk i\u00e7inde sayg\u0131 g\u00f6ren iki karde\u015ftir. Ancak Atanarjuat\u2019\u0131n, g\u00fc\u00e7l\u00fc bir liderin o\u011flu olan Oki\u2019nin de evlenmek istedi\u011fi Atuat\u2019a talip olmas\u0131, aralar\u0131nda derin bir d\u00fc\u015fmanl\u0131k ba\u015flat\u0131r. Y\u00fczy\u0131ll\u0131k bir Inuit efsanesinden uyarlanan film; oyuncu ve ekibinin b\u00fcy\u00fck \u00f6l\u00e7\u00fcde Inuit olmas\u0131, Inuktitut dilinde \u00e7ekilmesiyle \u00f6ne \u00e7\u0131kar. \u0130nsan-do\u011fa ili\u015fkisini, s\u00f6m\u00fcrge \u00f6ncesi Arktik d\u00fcnyay\u0131 ve kolektif haf\u0131zay\u0131 g\u00fc\u00e7l\u00fc bir g\u00f6rsel dil arac\u0131l\u0131\u011f\u0131yla yeniden kuran Atanarjuat: H\u0131zl\u0131 Ko\u015fucu<\/em>, Cannes Film Festivali\u2019nde \u201cEn \u0130yi \u0130lk Film\u201d \u00f6d\u00fcl\u00fcn\u00fc kazanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

BA\u015eKA B\u0130R D\u00dcNYA (THE SWEET HEREAFTER), 1997<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Atom Egoyan<\/p>\n\n\n\n

Oyuncular:<\/strong> Ian Holm, Sarah Polley, Caerthan Banks<\/p>\n\n\n\n

Russell Banks\u2019in roman\u0131ndan uyarlanan film, y\u0131k\u0131c\u0131 bir okul otob\u00fcs\u00fc kazas\u0131n\u0131n ard\u0131ndan \u00e7ocuklar\u0131n\u0131 kaybeden k\u00fc\u00e7\u00fck bir kasaban\u0131n yas s\u00fcrecini izler. K\u0131\u015f\u0131n sert ve izole atmosferinde, bir yandan kayb\u0131n kolektif etkileri, di\u011fer yandan kasabaya dava a\u00e7mak \u00fczere gelen bir avukat\u0131n bu k\u0131r\u0131lgan dengeyi nas\u0131l d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc takip edilir. Par\u00e7al\u0131 anlat\u0131 yap\u0131s\u0131, travman\u0131n nas\u0131l hat\u0131rland\u0131\u011f\u0131n\u0131 ve yeniden kuruldu\u011funu sorgular. Ba\u015fka Bir D\u00fcnya<\/em>, Atom Egoyan\u2019\u0131n en \u00e7ok \u00f6vg\u00fc alan filmlerinden biridir.<\/p>\n\n\n\n

MONTREALL\u0130 \u0130SA (J\u00c9SUS DE MONTR\u00c9AL), 1989<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Denys Arcand<\/p>\n\n\n\n

Oyuncular:<\/strong> Lothaire Bluteau, Catherine Wilkening, Johanne-Marie Tremblay<\/p>\n\n\n\n

G\u00fcnd\u00fcz ticari i\u015flerde \u00e7al\u0131\u015f\u0131p ak\u015famlar\u0131 \u0130sa\u2019y\u0131 canland\u0131ran bir oyuncudan ilham alan film, \u0130sa\u2019n\u0131n ya\u015fam\u0131n\u0131 sahnelemek \u00fczere bir araya gelen bir oyuncu toplulu\u011funa odaklan\u0131r. Daniel\u2019in liderli\u011findeki ve her biri kendi sorunlar\u0131yla m\u00fccadele eden oyuncular, \u0130ncil anlat\u0131s\u0131na getirdikleri yorumla yerle\u015fik Hristiyan d\u00fc\u015f\u00fcncesini sarsar ve Katolik din adamlar\u0131n\u0131n tepkisini \u00e7eker. Hik\u00e2ye ilerledik\u00e7e Daniel\u2019in ya\u015fam\u0131, \u0130sa\u2019n\u0131n ya\u015fad\u0131klar\u0131yla paralellik kurmaya ba\u015flar. Film, maneviyat ile t\u00fcketim k\u00fclt\u00fcr\u00fc aras\u0131ndaki ili\u015fkiyi sorgular.<\/p>\n\n\n\n

BEN\u0130M \u015eEHR\u0130M W\u0130NN\u0130PEG (MY WINNIPEG), 2007<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Guy Maddin<\/p>\n\n\n\n

Oyuncular:<\/strong> Darcy Fehr, Ann Savage, Louis Negin<\/p>\n\n\n\n

Guy Maddin\u2019in \u201cdocu-fantasia\u201d olarak tan\u0131mlad\u0131\u011f\u0131 film, kendi do\u011fup b\u00fcy\u00fcd\u00fc\u011f\u00fc kente yaz\u0131lm\u0131\u015f ki\u015fisel ve hayali bir veda mektubudur. Belgesel ile kurmacay\u0131 i\u00e7 i\u00e7e ge\u00e7iren film, \u015fehir tarihini, yerel efsaneleri ve \u00e7ocukluk an\u0131lar\u0131n\u0131 sessiz film \u00fcslubunu hat\u0131rlatan ger\u00e7ek\u00fcst\u00fc bir g\u00f6rsel dille birle\u015ftirir. R\u00fcya imgeleri, s\u00f6zde bilimsel a\u00e7\u0131klamalar ve tarihsel anekdotlar aras\u0131nda dola\u015fan anlat\u0131; trenler, uyurgezerler ve donmu\u015f atlar gibi tekrar eden motiflerle ilerler. Kentin ge\u00e7mi\u015fi ile ki\u015fisel haf\u0131za i\u00e7 i\u00e7e ge\u00e7erken film, mit ile ger\u00e7ek, inan\u00e7 ile hat\u0131rlama aras\u0131ndaki s\u0131n\u0131rlar\u0131 sorgular.<\/p>\n\n\n\n

L\u00c9OLO, 1992<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Jean-Claude Lauzon<\/p>\n\n\n\n

Oyuncular:<\/strong> Maxime Collin, Ginette Reno, Gilbert Sicotte<\/p>\n\n\n\n

S\u0131n\u0131fland\u0131rmaya direnen, adeta sinemasal bir \u201cUFO\u201d olan L\u00e9olo<\/em>, Montr\u00e9al\u2019de izole bir ya\u015fam s\u00fcren bir ailenin portresini sunar. Yoksul ve kaotik bir ortamda b\u00fcy\u00fcyen L\u00e9olo, \u00e7evresindeki ger\u00e7eklikten ka\u00e7mak i\u00e7in hayal g\u00fcc\u00fcne s\u0131\u011f\u0131n\u0131r ve kendine alternatif bir d\u00fcnya kurar; ancak bu k\u0131r\u0131lgan s\u0131\u011f\u0131nak, i\u00e7inde bulundu\u011fu toksik ortamdan b\u00fct\u00fcn\u00fcyle ka\u00e7mas\u0131na izin vermez. Y\u00f6netmenin kurdu\u011fu g\u00f6rsel dilde grotesk ile \u015fiirsellik i\u00e7 i\u00e7e ge\u00e7er. Film, \u00f6zg\u00fcn yap\u0131s\u0131 ve yo\u011fun hayal g\u00fcc\u00fcyle Qu\u00e9bec sinemas\u0131n\u0131n kal\u0131c\u0131 \u00f6rneklerinden biri olarak \u00f6ne \u00e7\u0131kar.<\/p>\n\n\n\n

\u00d6L\u00dc \u0130K\u0130ZLER (DEAD RINGERS), 1992<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>David Cronenberg<\/p>\n\n\n\n

Oyuncular:<\/strong> Jeremy Irons, Genevi\u00e8ve Bujold, Heidi von Palleske<\/p>\n\n\n\n

Birbirine ba\u011f\u0131ml\u0131 ikiz jinekologlar\u0131n ya\u015fam\u0131, ayn\u0131 kad\u0131na \u00e2\u015f\u0131k olmalar\u0131yla giderek \u00e7\u00f6z\u00fclmeye ba\u015flar. David Cronenberg k\u0131sa Hollywood d\u00f6neminin ard\u0131ndan, Bari Wood ve Jack Geasland\u2019\u0131n Twins<\/em> adl\u0131 roman\u0131ndan uyarlad\u0131\u011f\u0131 bu filmle daha ki\u015fisel ve rahats\u0131z edici bir alana geri d\u00f6ner. Klinik bir mesafe ile duygusal yo\u011funlu\u011fu bir araya getirerek, beden ve kimlik ili\u015fkisini merkeze alarak karde\u015fler aras\u0131ndaki ba\u011f\u0131ml\u0131l\u0131\u011f\u0131 ve \u00e7\u00f6z\u00fcl\u00fc\u015f\u00fc inceler. Jeremy Irons\u2019\u0131n \u00e7arp\u0131c\u0131 \u00e7ift performans\u0131, filmin gerilimini belirleyen unsurlardan biridir.<\/p>\n\n\n\n

ANLATTI\u011eIMIZ H\u0130KAYELER (STORIES WE TELL), 2012<\/h3>\n\n\n\n

Y\u00f6netmen: <\/strong>Sarah Polley<\/p>\n\n\n\n

Oyuncular:<\/strong> Michael Polley, John Buchan, Mark Polley<\/p>\n\n\n\n

Kameras\u0131n\u0131 kendi ailesine \u00e7evirerek son derece ki\u015fisel ve beklenmedik bir anlat\u0131 kuran y\u00f6netmen ba\u015fta annesinin ya\u015fam\u0131n\u0131 ara\u015ft\u0131rmak \u00fczere yola \u00e7\u0131kar, ailesini, dostlar\u0131n\u0131 ve tan\u0131kl\u0131klar\u0131 bir araya getirir. Geleneksel bir ge\u00e7mi\u015f ara\u015ft\u0131rmas\u0131 gibi ba\u015flayan film, beklenmedik bir y\u00f6n de\u011fi\u015ftirerek anlat\u0131lan hik\u00e2yeye de\u011fil, hik\u00e2ye anlatma eylemine odaklan\u0131r ve aile i\u00e7inde kurulan anlat\u0131lar\u0131n mit ile haf\u0131za aras\u0131ndaki k\u0131r\u0131lgan \u00e7izgide nas\u0131l \u015fekillendi\u011fini a\u00e7\u0131\u011fa \u00e7\u0131kar\u0131r. Venedik pr\u00f6miyerinin ard\u0131ndan uluslararas\u0131 festivallerde ilgi g\u00f6ren\u00a0Anlatt\u0131\u011f\u0131m\u0131z Hik\u00e2yeler<\/em>, bi\u00e7imsel yakla\u015f\u0131m\u0131 ve duygusal a\u00e7\u0131kl\u0131\u011f\u0131yla \u00e7a\u011fda\u015f belgesel sineman\u0131n \u00f6ne \u00e7\u0131kan \u00f6rneklerinden biri olarak kabul edilir.<\/p>\n\n\n\n

https:\/\/www.haberturk.com\/kanada-sinemasinin-en-iyileri-istanbul-modernde-3879862<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u0130stanbul Modern Sinema, 7\u201317 May\u0131s 2026 tarihleri aras\u0131nda 1970\u2019lerden g\u00fcn\u00fcm\u00fcze Kanada sinemas\u0131n\u0131n \u00f6ne \u00e7\u0131kan yap\u0131mlar\u0131n\u0131 bir araya getiriyor; TIFF\u2019in \u201cTop 10 Canadian Films\u201d listesinden ilham alan program, usta y\u00f6netmenlerin dikkat \u00e7eken filmlerini ve uluslararas\u0131 ba\u015far\u0131 yakalam\u0131\u015f yap\u0131mlar\u0131 izleyiciyle bulu\u015fturuyor. Kanada \u0130stanbul Ba\u015fkonsoloslu\u011fu i\u015fbirli\u011fiyle \u0130stanbul Modern’de 7-17 May\u0131s tarihlerinde ger\u00e7ekle\u015ftirilecek \u201cKanada Top 10\u201d program\u0131, bu \u00fclke […]<\/p>\n","protected":false},"author":3,"featured_media":6253,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-6252","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/gundexia.com\/wp-content\/uploads\/2026\/04\/960x540-40.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/6252","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6252"}],"version-history":[{"count":1,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/6252\/revisions"}],"predecessor-version":[{"id":6254,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/6252\/revisions\/6254"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/media\/6253"}],"wp:attachment":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6252"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6252"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6252"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}