{"id":2395,"date":"2026-03-14T20:30:14","date_gmt":"2026-03-14T17:30:14","guid":{"rendered":"https:\/\/gundexia.com\/?p=2395"},"modified":"2026-03-14T20:30:18","modified_gmt":"2026-03-14T17:30:18","slug":"is-kultur-bahari-yeni-yayinlarla-karsiliyor","status":"publish","type":"post","link":"https:\/\/gundexia.com\/?p=2395","title":{"rendered":"\u0130\u015f K\u00fclt\u00fcr Bahar\u0131 Yeni Yay\u0131nlarla Kar\u015f\u0131l\u0131yor"},"content":{"rendered":"\n<p><strong>T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131, klasiklerden inceleme-ara\u015ft\u0131rma kitaplar\u0131na ve \u00e7ocuk yay\u0131nlar\u0131na uzanan geni\u015f se\u00e7kisiyle okurlara yeni eserler sunuyor.<\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Hasan \u00c2li Y\u00fccel Klasikler Dizisi<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">B\u0130R \u00c7\u0130\u00c7EKLE \u2013 B\u0130R MEKTUPLA \u2013 B\u00dcT\u00dcN \u015e\u0130\u0130RLER\u0130-I (1850-1862)<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Emily Dickinson<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130ngilizce Asl\u0131ndan \u00c7eviren: Fahri \u00d6z<\/h3>\n\n\n\n<p>XIX. y\u00fczy\u0131l Amerikan edebiyat\u0131n\u0131n \u00f6nde gelen \u015fairlerinden Emily Dickinson\u2019\u0131n b\u00fct\u00fcn \u015fiirleri Hasan \u00c2li Y\u00fccel Klasikler Dizisi\u2019nde 3 cilt h\u00e2linde okuyucularla bulu\u015facak. Dickinson\u2019\u0131n 1850-1862 y\u0131llar\u0131nda yaz\u0131lan \u015fiirlerin yer ald\u0131\u011f\u0131 birinci cilt,&nbsp;<em>Bir \u00c7i\u00e7ekle \u2013 Bir Mektupla<\/em>&nbsp;ad\u0131n\u0131 ta\u015f\u0131yor.<\/p>\n\n\n\n<p>E\u015fsiz bir \u00fcslup parlakl\u0131\u011f\u0131na sahip lirik bir sanat\u00e7\u0131 olan Emily Dickinson, ya\u015fam\u0131 boyunca 1800\u2019e yak\u0131n \u015fiir yazm\u0131\u015f, fakat hayattayken bunlar\u0131n sadece 10\u2019u yay\u0131mlanm\u0131\u015ft\u0131r. \u015eiir ve dilbilgisinin al\u0131\u015f\u0131lagelmi\u015f kurallar\u0131n\u0131 \u00f6zg\u00fcrce hi\u00e7e sayan Dickinson eserlerinin i\u00e7eri\u011finde de son derece cesur ve \u00f6zg\u00fcnd\u00fcr. \u015eair yirmili ya\u015flar\u0131ndan itibaren m\u00fcnzevi bir hayat s\u00fcrmeye ba\u015flam\u0131\u015ft\u0131r. \u015eiirlerinin \u00e7o\u011funda terk edilmi\u015flik vehminin yol a\u00e7t\u0131\u011f\u0131 yaln\u0131zl\u0131k duygusunu reddetme veya \u00fczerinde d\u00fc\u015f\u00fcnme \u00e7abas\u0131 g\u00f6r\u00fcl\u00fcr.<\/p>\n\n\n\n<p>\u015eiirleri \u00f6l\u00fcm\u00fcnden sonra pek \u00e7ok kez \u00e7e\u015fitli derlemeler h\u00e2linde bas\u0131lm\u0131\u015f, b\u00fct\u00fcn \u015fiirleri ilk kez 1955 y\u0131l\u0131nda yay\u0131mlanm\u0131\u015f. B\u00fct\u00fcn \u015fiirlerinin \u00f6zg\u00fcn h\u00e2lini i\u00e7eren bir edisyon 1999 y\u0131l\u0131nda R. W. Franklin taraf\u0131ndan haz\u0131rlanm\u0131\u015f, Hasan \u00c2li Y\u00fccel Klasikler Dizisi\u2019nden \u00e7\u0131kan eserin \u00e7evirisinde de bu edisyon kullan\u0131lm\u0131\u015f.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Modern Klasikler Dizisi<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">GE\u00c7\u0130\u015e<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Nella Larsen<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130ngilizce Asl\u0131ndan \u00c7eviren: Filiz \u00c7ak\u0131r<\/h3>\n\n\n\n<p>Nella Larsen,&nbsp;<em>Ge\u00e7i\u015f<\/em>&nbsp;adl\u0131 roman\u0131nda, ABD\u2019de \u0131rksal safl\u0131k arzusunun dayat\u0131ld\u0131\u011f\u0131 20. y\u00fczy\u0131l ba\u015flar\u0131nda \u0131rksal kimli\u011fin karma\u015f\u0131kl\u0131\u011f\u0131n\u0131 ele al\u0131r. \u201cGe\u00e7i\u015f\u201d, ten renginden siyahi kan\u0131 ta\u015f\u0131d\u0131\u011f\u0131 belli olmayanlar\u0131n, karma k\u00f6kenlerini gizleyerek beyaz gibi davranmalar\u0131 ve \u201c\u0131rksal s\u0131n\u0131r\u0131\u201d a\u015fmalar\u0131 anlam\u0131na gelir.<\/p>\n\n\n\n<p>Larsen, 1920\u2019li ve 1930\u2019lu y\u0131llarda, New York\u2019un Harlem b\u00f6lgesinde ortaya \u00e7\u0131kan; Afro-Amerikal\u0131lar\u0131n edebiyat, m\u00fczik, sanat ve d\u00fc\u015f\u00fcnce alanlar\u0131nda kimliklerini g\u00fc\u00e7l\u00fc bir bi\u00e7imde ifade ettikleri k\u00fclt\u00fcrel uyan\u0131\u015f hareketi Harlem R\u00f6nesans\u0131\u2019n\u0131n geleneklerini ve iddialar\u0131n\u0131 da hicveder.&nbsp;<em>Ge\u00e7i\u015f<\/em>&nbsp;bug\u00fcn akademik hayatta Afro-Amerikan \u00e7al\u0131\u015fmalar\u0131 ve kad\u0131n ara\u015ft\u0131rmalar\u0131 programlar\u0131n\u0131n m\u00fcfredatlar\u0131nda yer alan bir yap\u0131t haline gelmi\u015ftir.<\/p>\n\n\n\n<p>Roman\u0131n baz\u0131 siyahi karakterleri kimi kolayl\u0131klar; s\u00f6zgelimi bir konser bileti alabilmek ya da bir restoranda yemek yiyebilmek i\u00e7in \u201cge\u00e7er\u201d; ancak bir yandan da siyahiler aras\u0131nda ya\u015fay\u0131p \u0131rksal kimliklerini kucaklarlar. Kimisi de beyazlar\u0131n aras\u0131nda beyaz gibi ya\u015far ve k\u00f6klerini b\u00fct\u00fcn\u00fcyle reddeder ve gizler. Roman\u0131n ana karakterlerinden Clare, a\u00e7\u0131k teni sayesinde \u0131rk\u00e7\u0131 ve zengin bir beyazla evlenerek, beyaz bir kad\u0131n olarak ya\u015faman\u0131n ayr\u0131cal\u0131klar\u0131na ve servete kavu\u015fmu\u015f; bir yandan da ayr\u0131mc\u0131l\u0131ktan, d\u0131\u015flanmaktan ve \u0131rksal \u015fiddetten kurtulmu\u015ftur. Ancak bu durum ruhunda onulmaz yaralar a\u00e7ar.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">21. Y\u00fczy\u0131l Kitapl\u0131\u011f\u0131<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">NE \u00c7OK E\u015eYA<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Chip Colwell<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c7eviren: Ay\u015fe M\u00fcge \u00c7avdar<\/h3>\n\n\n\n<p>Arkeolog Chip Colwell, insan t\u00fcr\u00fcn\u00fcn nesnelerle kurdu\u011fu ili\u015fkinin derin tarihine iniyor. E\u015fyay\u0131 yaln\u0131zca t\u00fcketim ba\u015fl\u0131\u011f\u0131na s\u0131k\u0131\u015ft\u0131rm\u0131yor; \u00e7\u00fcnk\u00fc e\u015fya ayn\u0131 zamanda aidiyetin, rit\u00fcelin, stat\u00fcn\u00fcn ve g\u00fcvenli\u011fin \u2013k\u0131sacas\u0131 anlam\u0131n\u2013 ta\u015f\u0131y\u0131c\u0131s\u0131d\u0131r. Ancak modern toplumlarda bu ili\u015fki, ola\u011fan bir h\u0131zlanmadan \u00e7ok, kontrolden \u00e7\u0131km\u0131\u015f bir \u00e7o\u011falmaya d\u00f6n\u00fc\u015f\u00fcyor. Fazlal\u0131k art\u0131k bir yan etki de\u011fil, sistemin i\u015fleyi\u015f bi\u00e7imi. Bunun bedeli plastik y\u0131\u011f\u0131nlar\u0131nda, \u00e7\u00f6p da\u011flar\u0131nda, t\u00fckenen kaynaklarda ve giderek daralan bir gelecek ufkunda g\u00f6r\u00fcn\u00fcr hale geliyor.<\/p>\n\n\n\n<p>Ta\u015f aletlerden inan\u00e7 nesnelerine, koleksiyonculuktan reklam\u0131n incelikli iknalar\u0131na uzanan&nbsp;<em>Ne \u00c7ok E\u015fya<\/em>, \u00e7\u00f6z\u00fcm re\u00e7etesi sunmuyor, minimalizm vaaz\u0131 vermiyor. 21. y\u00fczy\u0131l\u0131n ekolojik ve siyasal krizlerini, b\u00fcy\u00fck kavramlarla de\u011fil, g\u00fcndelik hayat\u0131n i\u00e7ine yerle\u015fmi\u015f fazlal\u0131k \u00fczerinden okuyor. Maddi bollu\u011fun ard\u0131nda yatan dizginsiz t\u00fcketim ritmini g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor. \u00c7\u00fcnk\u00fc mesele neye sahip oldu\u011fumuzdan \u00e7ok, bu sahipli\u011fin bizi nereye s\u00fcr\u00fckledi\u011fidir. \u201cDaha fazla\u201ds\u0131n\u0131 durmaks\u0131z\u0131n \u00fcretmeden, anlam\u0131 nas\u0131l kuraca\u011f\u0131m\u0131z sorusu ise en yak\u0131c\u0131 sorulardan biri olarak \u00f6n\u00fcm\u00fczde duruyor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">K\u0131lavuz Dizisi<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">BESLENME<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">David A. Bender<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c7eviren: \u00c7i\u00e7ek \u00d6ztek<\/h3>\n\n\n\n<p>K\u0131lavuz dizisinin yeni kitab\u0131nda akademisyen yazar David A. Bender beslenmeyi biyokimyasal y\u00f6nden ele alarak neden bu kadar yemek yiyoruz sorusuna yan\u0131t ar\u0131yor. Obezite sorununu \u00e7\u00f6zme ve kilo vermeye d\u00f6n\u00fck temel ilkelerin anla\u015f\u0131lmas\u0131yla beraber, fiziksel aktivitenin ve egzersizin bu \u00e7er\u00e7evede \u00fcstlenebilece\u011fi rol\u00fc a\u00e7\u0131kl\u0131\u011fa kavu\u015fturuyor. Bender, radikal diyetlerden uzak durman\u0131n ve yiyeceklerle ilgili yer yer ortaya at\u0131lan cesur iddialar kar\u015f\u0131s\u0131nda dikkatli olman\u0131n \u00f6nemini vurguluyor.<\/p>\n\n\n\n<p>Kitapta enerji beslenmesi, protein beslenmesi, gerekli vitamin ve minerallerin al\u0131nmas\u0131 gibi temel ihtiya\u00e7lar\u0131n yan\u0131nda i\u015flevsel g\u0131dalar\u0131n, s\u00fcper g\u0131dalar\u0131n ve takviyelerin rol\u00fc a\u00e7\u0131kl\u0131\u011fa kavu\u015fturuluyor. A\u015f\u0131r\u0131 beslenme ve yetersiz beslenme sorunlar\u0131n\u0131n nedenleri ve \u00e7\u00f6z\u00fcmleri aktar\u0131l\u0131yor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u0130nceleme \u2013 Ara\u015ft\u0131rma<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">T\u00dcRK\u0130YE\u2019DE YEN\u0130 HAYAT \u2013 \u0130NK\u0130LAP VE TRAVMA (1908-1928)<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Zafer Toprak<\/h3>\n\n\n\n<p>Me\u015frutiyet\u2019in T\u00fcrk\u00e7eye kazand\u0131rd\u0131\u011f\u0131 ya da yayg\u0131n hale getirdi\u011fi iki s\u00f6zc\u00fck \u201cmill\u00ee\u201d ve \u201cyeni\u201dydi. \u201cMill\u00ee\u201d do\u011fmakta olan ulusal kimli\u011fin veciz bir ifadesiydi; siyas\u00ee y\u00f6n\u00fc g\u00fc\u00e7l\u00fcyd\u00fc. \u201cYeni\u201d ise toplumsal\u0131 ifade ediyordu ve toplumun de\u011fi\u015fik katmanlar\u0131na n\u00fcfuz edi\u015fi II. Me\u015frutiyet y\u0131llar\u0131nda ger\u00e7ekle\u015fti.<\/p>\n\n\n\n<p>1908 bir siyasal devrimdi; sosyal bir devrimle peki\u015ftirilmedik\u00e7e g\u00fcd\u00fck kalacakt\u0131. \u201cYeni hayat\u201d bu anlay\u0131\u015f\u0131n ifadesiydi. Ya\u015fam anlay\u0131\u015f\u0131nda radikal bir d\u00f6n\u00fc\u015f\u00fcm\u00fc simgeleyen \u201cyeni hayat\u201d\u0131n omurgas\u0131n\u0131 ise kad\u0131n\u0131n konumu olu\u015fturdu. Bu nedenle \u201cyeni hayat\u201d kad\u0131n\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fc, \u201cyeni kad\u0131n\u201d\u0131n in\u015fas\u0131n\u0131 gerektiriyordu. Cihan Harbi sonras\u0131 yeni bir ulus in\u015fa edilirken Me\u015frutiyet\u2019in ilk y\u0131llar\u0131ndan beri g\u00fcndemde olan \u201cyeni hayat\u201d anlay\u0131\u015f\u0131 g\u00fc\u00e7 kazanm\u0131\u015ft\u0131. Cumhuriyet\u2019i Osmanl\u0131\u2019dan yol ayr\u0131m\u0131na sokan ana eksen buydu.<\/p>\n\n\n\n<p>Koca imparatorluklar \u00e7\u00f6kerken b\u00f6lgesinde kendi iradesiyle y\u00f6n\u00fcn\u00fc \u00e7izen tek \u00fclke T\u00fcrkiye olmu\u015f, Cihan Harbi\u2019ni yitirmesine kar\u015f\u0131n Sevr\u2019i tan\u0131mam\u0131\u015f, direnmi\u015f ve Milli M\u00fccadele ile yeni bir devlet kurmu\u015ftu. Di\u011fer yandan, on y\u0131l\u0131 bulan uzun sava\u015flar s\u00fcrecinde insan kaynaklar\u0131n\u0131n, eri\u015fkin n\u00fcfusunun \u00f6nemli bir b\u00f6l\u00fcm\u00fcn\u00fc yitiren, her a\u00e7\u0131dan yoksulla\u015fan \u00fclkede Cumhuriyet\u2019in reform kayg\u0131lar\u0131, sek\u00fcler bir ya\u015fam \u00f6zlemi, Do\u011fu k\u00fclt\u00fcr normlar\u0131n\u0131 terk edip Bat\u0131 medeniyetine ge\u00e7i\u015f s\u00fcreci ise nesiller aras\u0131 kopukluklara ve toplumsal uyumsuzluklara neden olacakt\u0131. T\u00fcrkiye ink\u0131laplar\u0131 ve toplumsal travmay\u0131 birlikte ya\u015fayacakt\u0131.<\/p>\n\n\n\n<p><em>T\u00fcrkiye\u2019de Yeni Hayat 1908-1928<\/em>&nbsp;bir anlamda ya\u015fanan bu toplumsal travman\u0131n \u00f6yk\u00fcs\u00fc. Prof. Dr. Zafer Toprak, n\u00fcfus sorunu ba\u015fta olmak \u00fczere Cumhuriyet T\u00fcrkiyesi\u2019nin kar\u015f\u0131la\u015ft\u0131\u011f\u0131 darbo\u011fazlar\u0131, sava\u015f ma\u011fduru insanlar\u0131n travmalar\u0131n\u0131, \u00e7\u00f6z\u00fcms\u00fczl\u00fcklerini, toplumsal katmanlar\u0131n \u201cyeni hayat\u201da uyumsuzluklar\u0131n\u0131 o g\u00fcn\u00fcn kaynaklar\u0131ndan yola \u00e7\u0131karak g\u00fcn \u0131\u015f\u0131\u011f\u0131na \u00e7\u0131kar\u0131yor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u00d6zel Dizi<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">AYLA TURAN \u2013 RETROSPEKT\u0130F | RETROSPECTIVE<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Metin Yazar\u0131: Marcus Graf<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c7eviren: Neylan Ba\u011fc\u0131o\u011flu<\/h3>\n\n\n\n<p>9 \u015eubat-11 May\u0131s 2026 tarihleri aras\u0131nda \u0130\u015f Sanat Kibele Sanat Galerisi\u2019nde izlenen \u201cAyla Turan Retrospektif\u201d sergisi i\u00e7in haz\u0131rlanan kitap, heykelt\u0131ra\u015f Ayla Turan\u2019\u0131n otuz y\u0131ll\u0131k sanat yolculu\u011funun d\u00f6n\u00fcm noktalar\u0131n\u0131 yans\u0131t\u0131yor. Sanat\u00e7\u0131n\u0131n kamusal alanlarda ve \u00f6zel koleksiyonlarda yer alan se\u00e7ilmi\u015f eserlerinin k\u00fcnyeli g\u00f6rsellerine ar\u015fiv foto\u011fraflar\u0131 e\u015flik ediyor.<\/p>\n\n\n\n<p>Turan, bu retrospektif sergiyi haz\u0131rlaman\u0131n \u201ceski alb\u00fcmleri kar\u0131\u015ft\u0131rmak gibi\u201d hissettirdi\u011fini s\u00f6ylerken; serginin katalo\u011fu i\u00e7in haz\u0131rlad\u0131\u011f\u0131 yaz\u0131da Prof. Dr. Marcus Graf, Ayla Turan\u2019dan \u201cBa\u011f\u0131ms\u0131zl\u0131k, empati ve sakin bir kararl\u0131l\u0131kla kendi yolunu in\u015fa eden; prati\u011fiyle heykelin ne olabilece\u011fine ve payla\u015ft\u0131\u011f\u0131m\u0131z d\u00fcnyaya dair neleri a\u00e7\u0131\u011fa \u00e7\u0131karabilece\u011fine ili\u015fkin ufkumuzu geni\u015fleten\u201d diye bahsediyor ve sergi i\u00e7in \u015funlar\u0131 s\u00f6yl\u00fcyor: \u201cBu retrospektif, otuz y\u0131ll\u0131k kesintisiz \u00fcretimi bir araya getirerek Ayla Turan\u2019\u0131n ya\u015fam\u0131 ile sanat\u0131 aras\u0131ndaki samimi ba\u011flar\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.\u201d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c7ocuk<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">D\u00dcNYA HAKKINDA B\u00dcY\u00dcK SORULAR K\u0130TABIM<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Yazan: Moira Butterfield<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Resimleyen: Cindy Wume<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">\u00c7eviren: Zeynep Alpaslan<\/h3>\n\n\n\n<p>Her g\u00fcn, her an, ayaklar\u0131m\u0131z\u0131n alt\u0131ndaki yerden ba\u015f\u0131m\u0131z\u0131n \u00fcst\u00fcndeki y\u0131ld\u0131zl\u0131 g\u00f6ky\u00fcz\u00fcne kadar, her \u015fey hakk\u0131nda akl\u0131m\u0131za sorular gelir. G\u00fcnd\u00fczleri y\u0131ld\u0131zlar nereye gider? Hayvanlar birbirleriyle konu\u015fur mu?<\/p>\n\n\n\n<p>Birbirinden g\u00fczel resimlerle dolu bu kitap 50 pop\u00fcler soruya verdi\u011fi yan\u0131tlarla muhte\u015fem d\u00fcnyam\u0131z\u0131 ke\u015ffe \u00e7\u0131kaca\u011f\u0131m\u0131z yepyeni kap\u0131lar a\u00e7\u0131yor.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.haberturk.com\/turkiye-is-bankasi-kultur-yayinlari-bahari-yeni-kitaplarla-karsiliyor-3869665\">https:\/\/www.haberturk.com\/turkiye-is-bankasi-kultur-yayinlari-bahari-yeni-kitaplarla-karsiliyor-3869665<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>T\u00fcrkiye \u0130\u015f Bankas\u0131 K\u00fclt\u00fcr Yay\u0131nlar\u0131, klasiklerden inceleme-ara\u015ft\u0131rma kitaplar\u0131na ve \u00e7ocuk yay\u0131nlar\u0131na uzanan geni\u015f se\u00e7kisiyle okurlara yeni eserler sunuyor. Hasan \u00c2li Y\u00fccel Klasikler Dizisi B\u0130R \u00c7\u0130\u00c7EKLE \u2013 B\u0130R MEKTUPLA \u2013 B\u00dcT\u00dcN \u015e\u0130\u0130RLER\u0130-I (1850-1862) Emily Dickinson \u0130ngilizce Asl\u0131ndan \u00c7eviren: Fahri \u00d6z XIX. y\u00fczy\u0131l Amerikan edebiyat\u0131n\u0131n \u00f6nde gelen \u015fairlerinden Emily Dickinson\u2019\u0131n b\u00fct\u00fcn \u015fiirleri Hasan \u00c2li Y\u00fccel Klasikler Dizisi\u2019nde [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":2398,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-2395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/gundexia.com\/wp-content\/uploads\/2026\/03\/960x540-25-1.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/2395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2395"}],"version-history":[{"count":1,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/2395\/revisions"}],"predecessor-version":[{"id":2406,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/2395\/revisions\/2406"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/media\/2398"}],"wp:attachment":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}