{"id":1609,"date":"2026-03-07T19:54:37","date_gmt":"2026-03-07T16:54:37","guid":{"rendered":"https:\/\/gundexia.com\/?p=1609"},"modified":"2026-03-07T19:54:39","modified_gmt":"2026-03-07T16:54:39","slug":"nilbar-gures-venedik-bienalinde-turkiyeyi-temsil-edecek","status":"publish","type":"post","link":"https:\/\/gundexia.com\/?p=1609","title":{"rendered":"Nilbar G\u00fcre\u015f Venedik Bienali\u2019nde T\u00fcrkiye\u2019yi temsil edecek"},"content":{"rendered":"\n

\u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131\u2019n\u0131n (\u0130KSV) koordinasyonunu \u00fcstlendi\u011fi 61. Venedik Sanat Bienali T\u00fcrkiye Pavyonu, bu y\u0131l Nilbar G\u00fcre\u015f\u2019in \u201cG\u00f6zlerinizden \u00d6perim\u201d ba\u015fl\u0131kl\u0131 sergisine ev sahipli\u011fi yapacak.<\/strong><\/p>\n\n\n\n

\u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131\u2019n\u0131n (\u0130KSV) koordinasyonunu \u00fcstlendi\u011fi, 9 May\u0131s\u201322 Kas\u0131m 2026 tarihleri aras\u0131nda ger\u00e7ekle\u015ftirilecek 61. Venedik Sanat Bienali T\u00fcrkiye Pavyonu bu y\u0131l Nilbar G\u00fcre\u015f\u2019in G\u00f6zlerinizden \u00d6perim<\/em> ba\u015fl\u0131kl\u0131 sergisine ev sahipli\u011fi yapacak. Serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc Ba\u015fak Do\u011fa Tem\u00fcr \u00fcstleniyor. Sergi, Venedik Bienali i\u00e7in \u00fcretilen yeni yap\u0131tlarla sanat\u00e7\u0131n\u0131n \u00f6nceki d\u00f6nemlerinden se\u00e7ilen i\u015fleri bir arada sunuyor.<\/p>\n\n\n\n

G\u00f6zlerinizden \u00d6perim<\/em>: sergi mek\u00e2n\u0131n\u0131n tamam\u0131na yay\u0131lan bir jest<\/strong><\/p>\n\n\n\n

Nilbar G\u00fcre\u015f\u2019in G\u00f6zlerinizden \u00d6perim<\/em> ba\u015fl\u0131kl\u0131 sergisi, sanat\u00e7\u0131n\u0131n farkl\u0131 mecralara yay\u0131lan prati\u011finden \u00e7e\u015fitli eserleri bir araya getiriyor. K\u00fclt\u00fcrel semboller, toplumsal e\u015fitsizlikler ve kimlik meselelerini \u015fiirsel, ele\u015ftirel ve n\u00fcktedan bir dille ele almas\u0131yla \u00f6ne \u00e7\u0131kan G\u00fcre\u015f\u2019in foto\u011fraf, video, kolaj ve tekstil gibi farkl\u0131 disiplinlere yay\u0131lan \u00fcretim hatt\u0131, son y\u0131llarda giderek \u00fc\u00e7 boyutlu formlara do\u011fru geni\u015fledi. Venedik Bienali\u2019nde T\u00fcrkiye Pavyonu\u2019nun ev sahipli\u011fi yapaca\u011f\u0131 sergi, b\u00fcy\u00fck \u00f6l\u00e7ekli heykel ve yerle\u015ftirmeleri izleyiciyle bulu\u015fturmaya haz\u0131rlan\u0131yor. \u0130stanbul\u2019da y\u00fcr\u00fct\u00fclen yo\u011fun ve kolektif bir \u00fcretim s\u00fcrecinin ard\u0131ndan ortaya \u00e7\u0131kan bu yap\u0131tlar, Aral\u0131k 2025 \u2013 Mart 2026 aylar\u0131 aras\u0131nda heykelt\u0131ra\u015flar, metal ustalar\u0131, terziler ve zanaatk\u00e2rlarla birlikte \u00fcretildi. Malzemeyi yaln\u0131zca bi\u00e7imsel bir unsur olarak de\u011fil, haf\u0131za ve emek ta\u015f\u0131y\u0131c\u0131s\u0131 olarak da ele alan bu yeni yap\u0131tlar, sanat\u00e7\u0131n\u0131n \u00f6nceki d\u00f6nemlerinden se\u00e7ilen i\u015flerle birlikte sergide yer alacak.<\/p>\n\n\n\n

K\u00fcrat\u00f6r Ba\u015fak Do\u011fa Tem\u00fcr, Venedik Sanat Bienali katalo\u011fu i\u00e7in haz\u0131rlad\u0131\u011f\u0131 metinde sergiyi a\u015fa\u011f\u0131daki s\u00f6zlerle anlat\u0131yor: \u201cG\u00f6zlerinizden \u00d6perim\u2019i \u00e7izgisel bir anlat\u0131dan \u00e7ok mek\u00e2nsal ili\u015fkiler kurar. Yap\u0131tlar\u0131n kimi yere yakla\u015f\u0131r, kimi bir y\u00fczeye yaslan\u0131r, kimiyse tavandan sarkar ya da kendi a\u011f\u0131rl\u0131\u011f\u0131yla dengede durur. Ziyaret\u00e7iyi belirli bir rota boyunca y\u00f6nlendirmek yerine sergi, yava\u015flamay\u0131 ve bedenin mek\u00e2nla, yap\u0131tlarla ve ba\u015fkalar\u0131yla kurdu\u011fu ili\u015fkiye dikkat kesilmeyi \u00f6nerir. Sergi i\u00e7inde ilerlemek, mesafe ile yak\u0131nl\u0131k, k\u0131r\u0131lganl\u0131k ile diren\u00e7 aras\u0131nda s\u00fcrekli yeniden kurulan bir denge aray\u0131\u015f\u0131na d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n\n\n\n

Bu yakla\u015f\u0131m, Nilbar G\u00fcre\u015f\u2019in farkl\u0131 mecralara yay\u0131lan prati\u011finin temelini olu\u015fturur. Sanat\u00e7\u0131 ya\u015fanm\u0131\u015f deneyimlerden hareketle toplumsal cinsiyet, g\u00f6\u00e7 ve aidiyet \u00fczerine d\u00fc\u015f\u00fcn\u00fcr. Yerinden edilme, \u0131rk\u00e7\u0131l\u0131k, zenofobi ile din ya da inan\u00e7 temelli ayr\u0131mc\u0131l\u0131k, onun yap\u0131tlar\u0131nda uzaktan bak\u0131lan konular olarak de\u011fil, g\u00fcndelik hayat\u0131 bi\u00e7imlendiren ko\u015fullar olarak yer al\u0131r. G\u00fcre\u015f, \u00e7o\u011fu zaman toplumsal normlar\u0131n ve g\u00fc\u00e7 ili\u015fkilerinin bedenler, ili\u015fkiler ve bak\u0131\u015f arac\u0131l\u0131\u011f\u0131yla g\u00f6r\u00fcn\u00fcr h\u00e2le geldi\u011fi anlara odaklan\u0131r.<\/p>\n\n\n\n

Tekstil, giysi, ev i\u00e7i nesneler ve do\u011fadan formlar sanat\u00e7\u0131n\u0131n \u00fcretiminde merkezi bir yer tutar. Bu malzemeler ki\u015fisel ve kolektif haf\u0131zalar\u0131 ta\u015f\u0131r; \u015fefkat, mizah ve diren\u00e7 i\u00e7eren m\u00fcdahalelerle d\u00f6n\u00fc\u015f\u00fcr. Yak\u0131nl\u0131k ile politik gerilim yan yana durur; b\u00f6ylece k\u0131r\u0131lganl\u0131k edilgenlikle \u00f6zde\u015fle\u015ftirilmeden g\u00f6r\u00fcn\u00fcrl\u00fck kazan\u0131r.\u201d<\/p>\n\n\n\n

Sergi kitab\u0131 ve proje ekibi<\/strong><\/p>\n\n\n\n

Nilbar G\u00fcre\u015f\u2019in G\u00f6zlerinizden \u00d6perim<\/em> ba\u015fl\u0131kl\u0131 sergisine bir sergi kitab\u0131 e\u015flik ediyor. Sanat\u00e7\u0131n\u0131n prati\u011fine ve sergiye yak\u0131ndan bakan yaz\u0131lar\u0131n yan\u0131 s\u0131ra bir \u015fiir se\u00e7kisinin de yer ald\u0131\u011f\u0131 kitap, serginin kavramsal \u00e7er\u00e7evesinin odakland\u0131\u011f\u0131 incelik ve \u00f6zen kavramlar\u0131n\u0131 farkl\u0131 ba\u011flamlarda ele al\u0131yor. Nilbar G\u00fcre\u015f\u2019in imgelerine dair katmanl\u0131 okumalar sunan yaz\u0131lar, G\u00f6zlerinizden \u00d6perim<\/em>\u2019i sanat\u00e7\u0131n\u0131n prati\u011finin s\u00fcreklili\u011fi i\u00e7inde konumland\u0131r\u0131yor. Se\u00e7kide yer alan \u015fiirler ise sanat\u00e7\u0131n\u0131n prati\u011finde de ele ald\u0131\u011f\u0131 cinsiyet, g\u00f6\u00e7 ve aidiyet temalar\u0131 do\u011frultusunda yerinden edilme, bellek, k\u0131r\u0131lganl\u0131k, ayr\u0131mc\u0131l\u0131k, \u00e7o\u011fulluk ve ili\u015fkisellik gibi kavramlar\u0131 merkeze al\u0131yor.<\/p>\n\n\n\n

\u0130KSV\u2019nin Vehbi Ko\u00e7 Vakf\u0131<\/strong>\u2019n\u0131n deste\u011fiyle ve \u0130talya\u2019dan Mousse <\/strong>yay\u0131nevinin ortakl\u0131\u011f\u0131nda yay\u0131mlayaca\u011f\u0131 T\u00fcrk\u00e7e-\u0130ngilizce kitap, bienalin a\u00e7\u0131l\u0131\u015f\u0131yla birlikte raflardaki yerini alacak. Bienal ziyaret\u00e7ilerinin La Biennale kitabevlerinden edinebilece\u011fi kitaba Avrupa ba\u015fta olmak \u00fczere t\u00fcm d\u00fcnyadaki, sanat a\u011f\u0131rl\u0131kl\u0131 se\u00e7kilere yer veren kitabevlerinden de ula\u015f\u0131labilecek. \u0130<\/p>\n\n\n\n

Serginin ve haz\u0131rlanan kitab\u0131n grafik tasar\u0131m\u0131n\u0131 \u0130pek Erd\u00f6l<\/strong>, edit\u00f6rl\u00fc\u011f\u00fcn\u00fc Hazal Yonca Birincio\u011flu <\/strong>\u00fcstleniyor.<\/p>\n\n\n\n

\u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131 ve T\u00fcrkiye Pavyonu<\/strong><\/p>\n\n\n\n

Venedik Bienali 61. Uluslararas\u0131 Sanat Sergisi T\u00fcrkiye Pavyonu, T.C. D\u0131\u015fi\u015fleri Bakanl\u0131\u011f\u0131 <\/strong>himayesinde ve T.C. K\u00fclt\u00fcr ve Turizm Bakanl\u0131\u011f\u0131 <\/strong>katk\u0131lar\u0131yla Trendyol Sanat <\/strong>e\u015f sponsorlu\u011funda d\u00fczenleniyor. SAHA Derne\u011fi<\/strong>\u2019nin prod\u00fcksiyon deste\u011fi sa\u011flad\u0131\u011f\u0131 serginin havayolu partnerli\u011fini T\u00fcrk Hava Yollar\u0131 <\/strong>\u00fcstleniyor. T\u00fcrkiye Pavyonu, \u0130KSV<\/strong>\u2019nin giri\u015fimi ve 21 destek\u00e7isinin katk\u0131lar\u0131yla 2014\u20132034 y\u0131llar\u0131 aras\u0131nda, T\u00fcrkiye\u2019nin kullan\u0131m\u0131na tahsis edilen Arsenale\u2019deki uzun s\u00fcreli mek\u00e2nda yer al\u0131yor.<\/p>\n\n\n\n

Venedik Bienali 61. Uluslararas\u0131 Sanat Sergisi T\u00fcrkiye Pavyonu\u2019nda yer alacak sanat\u00e7\u0131y\u0131 belirleyen Dan\u0131\u015fma Kurulu; sanat tarih\u00e7i ve akademisyen Dr. Ceren \u00d6zp\u0131nar<\/strong>, k\u00fcrat\u00f6r, akademisyen ve yazar Chus Mart\u00ednez<\/strong>, k\u00fcrat\u00f6r \u00d6yk\u00fc \u00d6zsoy Sa\u011fnak <\/strong>ile k\u00fcrat\u00f6r ve yazar Ulya Soley<\/strong>\u2019den olu\u015fuyor.<\/p>\n\n\n\n

Venedik Bienali 61. Uluslararas\u0131 Sanat Sergisi<\/strong><\/p>\n\n\n\n

Bu y\u0131l 61\u2019incisi d\u00fczenlenen Venedik Bienali Uluslararas\u0131 Sanat Sergisi<\/strong>, k\u00fcrat\u00f6r Koyo Kouoh <\/strong>taraf\u0131ndan belirlenen \u201cIn Minor Keys \/ Min\u00f6r Tonlarda<\/strong>\u201d temas\u0131yla, 9 May\u0131s \u2013 22 Kas\u0131m 2026 (6, 7 ve 8 May\u0131s \u00f6n izleme)<\/strong> tarihleri aras\u0131nda d\u00fczenlenecek.<\/p>\n\n\n\n

Venedik Bienali 61. Uluslararas\u0131 Sanat Sergisi T\u00fcrkiye Pavyonu hakk\u0131nda ayr\u0131nt\u0131l\u0131 bilgiye turkiyepavyonu26.iksv.org\/<\/a> adresinden ula\u015f\u0131labilir.<\/p>\n\n\n\n

https:\/\/www.haberturk.com\/gozlerinizden-operim-venedik-sanat-bienali-nde-3867725<\/a><\/p>\n\n\n\n

2️⃣<\/h3>\n","protected":false},"excerpt":{"rendered":"

\u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131\u2019n\u0131n (\u0130KSV) koordinasyonunu \u00fcstlendi\u011fi 61. Venedik Sanat Bienali T\u00fcrkiye Pavyonu, bu y\u0131l Nilbar G\u00fcre\u015f\u2019in \u201cG\u00f6zlerinizden \u00d6perim\u201d ba\u015fl\u0131kl\u0131 sergisine ev sahipli\u011fi yapacak. \u0130stanbul K\u00fclt\u00fcr Sanat Vakf\u0131\u2019n\u0131n (\u0130KSV) koordinasyonunu \u00fcstlendi\u011fi, 9 May\u0131s\u201322 Kas\u0131m 2026 tarihleri aras\u0131nda ger\u00e7ekle\u015ftirilecek 61. Venedik Sanat Bienali T\u00fcrkiye Pavyonu bu y\u0131l Nilbar G\u00fcre\u015f\u2019in G\u00f6zlerinizden \u00d6perim ba\u015fl\u0131kl\u0131 sergisine ev sahipli\u011fi yapacak. Serginin k\u00fcrat\u00f6rl\u00fc\u011f\u00fcn\u00fc […]<\/p>\n","protected":false},"author":3,"featured_media":1611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-1609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/gundexia.com\/wp-content\/uploads\/2026\/03\/960x540-1-3.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/1609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1609"}],"version-history":[{"count":1,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/1609\/revisions"}],"predecessor-version":[{"id":1618,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/1609\/revisions\/1618"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/media\/1611"}],"wp:attachment":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}