{"id":1533,"date":"2026-03-06T19:24:36","date_gmt":"2026-03-06T19:24:36","guid":{"rendered":"https:\/\/gundexia.com\/?p=1533"},"modified":"2026-03-06T19:24:36","modified_gmt":"2026-03-06T19:24:36","slug":"pera-muzesinde-halil-pasaya-odaklanan-yeni-sergi","status":"publish","type":"post","link":"https:\/\/gundexia.com\/?p=1533","title":{"rendered":"Pera M\u00fczesi\u2019nde Halil Pa\u015fa\u2019ya Odaklanan Yeni Sergi"},"content":{"rendered":"\n<p><strong>Osmanl\u0131\u2019dan Cumhuriyet\u2019e uzanan d\u00f6nemin \u00f6nemli ressamlar\u0131ndan Halil Pa\u015fa\u2019n\u0131n ya\u015fam\u0131 ve sanat\u0131n\u0131 merkeze alan \u201cSuyun K\u0131y\u0131s\u0131nda: Halil Pa\u015fa\u2019n\u0131n Ya\u015fam\u0131 ve Sanat\u0131\u201d sergisi sanatseverlerle bulu\u015ftu.<\/strong><\/p>\n\n\n\n<p><strong>\u00d6zlem \u0130nay Erten k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde haz\u0131rlanan sergide sanat\u00e7\u0131n\u0131n portre, nat\u00fcrmort ve peyzajlar\u0131; ar\u015fiv belgeleri, foto\u011fraflar ve desen defterleriyle birlikte sunularak Halil Pa\u015fa\u2019n\u0131n \u00fcretimi, \u00e7evresi ve ya\u015fad\u0131\u011f\u0131 d\u00f6neme dair kapsaml\u0131 bir perspektif ortaya koyuluyor.<\/strong><\/p>\n\n\n\n<p>Suna ve \u0130nan K\u0131ra\u00e7 Vakf\u0131 Pera M\u00fczesi, Osmanl\u0131\u2019dan Cumhuriyet\u2019e uzanan s\u00fcre\u00e7te T\u00fcrkiye\u2019de resim sanat\u0131n\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fcnde belirleyici bir rol oynayan Halil Pa\u015fa\u2019n\u0131n ya\u015fam\u0131 ve sanatsal \u00fcretimini oda\u011f\u0131na alan&nbsp;<a href=\"https:\/\/www.peramuzesi.org.tr\/sergi\/suyun-kiyisinda\/1318\"><em>Suyun K\u0131y\u0131s\u0131nda: Halil Pa\u015fa\u2019n\u0131n Ya\u015fam\u0131 ve Sanat\u0131<\/em><\/a>&nbsp;ba\u015fl\u0131kl\u0131 sergiyi sanatseverlerle bulu\u015fturuyor. Dr. \u00d6zlem \u0130nay Erten\u2019in k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde haz\u0131rlanan se\u00e7ki, sanat\u00e7\u0131n\u0131n farkl\u0131 co\u011frafyalarda \u015fekillenen \u00fcretimlerine ait eserleri, ar\u015fiv belgelerini ve \u00f6zel koleksiyonlardan \u00f6d\u00fcn\u00e7 al\u0131nan \u00e7al\u0131\u015fmalar\u0131 bir araya getiriyor.<\/p>\n\n\n\n<p>Sergi, Asker Ressamlar Ku\u015fa\u011f\u0131\u2019n\u0131n en \u00fcretken isimlerinden Halil Pa\u015fa\u2019n\u0131n akademik disiplinle izlenimci duyarl\u0131l\u0131\u011f\u0131n\u0131 bir arada ta\u015f\u0131yan resim diline odaklan\u0131yor. Sanat\u00e7\u0131n\u0131n portre, nat\u00fcrmort ve peyzaj aras\u0131nda kurdu\u011fu ge\u00e7i\u015fler, \u0131\u015f\u0131k ve renk kullan\u0131m\u0131ndaki \u00f6zg\u00fcn yakla\u015f\u0131m\u0131, \u0130stanbul k\u0131y\u0131 resimlerinde belirginle\u015fen atmosfer etkisi ve farkl\u0131 co\u011frafyalarda \u00e7e\u015fitlenen sanatsal bak\u0131\u015f\u0131, serginin kronolojik ak\u0131\u015f\u0131 i\u00e7inde \u00f6ne \u00e7\u0131k\u0131yor. Sergi kurgusu bu ak\u0131\u015f\u0131 yaln\u0131zca tarihsel bir s\u0131rayla de\u011fil, sanat\u00e7\u0131n\u0131n ya\u015fam\u0131ndaki mek\u00e2nlar, ili\u015fkiler ve \u00fcretim \u00e7evreleri \u00fczerinden katmanland\u0131rarak izleyiciye aktar\u0131yor.<\/p>\n\n\n\n<p>K\u00fcrat\u00f6r Dr. \u00d6zlem \u0130nay Erten sergiyi \u015f\u00f6yle de\u011ferlendiriyor: \u201cBu sergide Halil Pa\u015fa\u2019y\u0131 yaln\u0131zca usta bir portre ve manzara ressam\u0131 olarak de\u011fil; Osmanl\u0131\u2019dan Cumhuriyet\u2019e uzanan modernle\u015fme s\u00fcrecinde yeni bir g\u00f6rme bi\u00e7iminin olu\u015fmas\u0131na katk\u0131 sunan \u00f6nc\u00fc bir sanat\u00e7\u0131 olarak ele ald\u0131k. Asker ressam gelene\u011finden gelen disiplinini Paris\u2019te ald\u0131\u011f\u0131 akademik e\u011fitimle birle\u015ftiren ve Paris\u2013\u0130stanbul\u2013Kahire ekseninde \u00e7e\u015fitlenen sanat\u0131n\u0131; eserlerinin yan\u0131 s\u0131ra desen defterleri, ar\u015fiv belgeleri ve d\u00f6nemin kaynaklar\u0131yla birlikte okuyarak, Halil Pa\u015fa\u2019y\u0131 hem ya\u015fad\u0131\u011f\u0131 d\u00f6nemin ko\u015fullar\u0131 i\u00e7inde hem de sanat tarihimizdeki belirleyici konumuyla yeniden de\u011ferlendirmeyi ama\u00e7lad\u0131k.\u201d<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Asker Ressamlar Ku\u015fa\u011f\u0131 i\u00e7inde Halil Pa\u015fa\u2019n\u0131n yeri<\/h3>\n\n\n\n<p>Halil Pa\u015fa\u2019n\u0131n sanat yolculu\u011fu, \u00e7ocukluk y\u0131llar\u0131nda Beylerbeyi\u2019nde babas\u0131 Ferik Selim Pa\u015fa\u2019n\u0131n yal\u0131s\u0131nda ba\u015fl\u0131yor. Sergi, sanat\u00e7\u0131n\u0131n erken d\u00f6nem g\u00f6rme bi\u00e7iminin olu\u015fumunda yal\u0131, bah\u00e7e ve Bo\u011fazi\u00e7i do\u011fas\u0131n\u0131n kurucu etkisini \u00f6ne \u00e7\u0131kar\u0131rken; Beylerbeyi\u2019ndeki yal\u0131 ve terasl\u0131 bah\u00e7e d\u00fczeni, ilerleyen y\u0131llarda resimlerinde tekrar eden mek\u00e2nsal ritim ve perspektif duygusunun kaynaklar\u0131ndan biri olarak ele al\u0131n\u0131yor.<\/p>\n\n\n\n<p>Halil Pa\u015fa\u2019n\u0131n 19. y\u00fczy\u0131lda Osmanl\u0131 ordusunun modernle\u015fmesiyle geli\u015fen teknik temelli resim e\u011fitimi i\u00e7indeki yeri de \u00f6ne \u00e7\u0131kan ba\u015fl\u0131klardan biri. M\u00fchendish\u00e2ne\u2019de ald\u0131\u011f\u0131 e\u011fitimin \u00f6zellikle peyzaj ve nat\u00fcrmort alan\u0131ndaki erken \u00fcretimini nas\u0131l bi\u00e7imlendirdi\u011fi, saray \u00e7evresiyle kurdu\u011fu ili\u015fkiler ve \u00f6\u011fretmenlik deneyimi, Asker Ressamlar Ku\u015fa\u011f\u0131 i\u00e7indeki konumunu geni\u015fleten unsurlar olarak de\u011ferlendiriliyor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Paris y\u0131llar\u0131: Akademik e\u011fitimden uluslararas\u0131 ba\u015far\u0131ya<\/h3>\n\n\n\n<p>Paris y\u0131llar\u0131 serginin ana e\u015fiklerinden birini olu\u015fturuyor. \u00c9cole des Beaux-Arts \u00e7evresinde ald\u0131\u011f\u0131 e\u011fitim; \u015eeker Ahmed Pa\u015fa ve olas\u0131l\u0131kla Osman Hamdi Bey gibi en tan\u0131nm\u0131\u015f Osmanl\u0131 ressamlar\u0131n\u0131n da e\u011fitim ald\u0131\u011f\u0131 Jean-L\u00e9on G\u00e9r\u00f4me\u2019un at\u00f6lyesindeki \u00e7al\u0131\u015fma d\u00f6nemi ve Courtois ile Carolus-Duran ba\u011flant\u0131lar\u0131, Halil Pa\u015fa\u2019n\u0131n portre tekni\u011findeki ustal\u0131\u011f\u0131n\u0131 ve akademik birikimini a\u00e7\u0131klayan bir \u00e7er\u00e7eve sunuyor. Julien Thibaudeau ile 1887\u20131888 Bretonya seyahati ise sanat\u00e7\u0131n\u0131n a\u00e7\u0131k hava resmine dayal\u0131 yakla\u015f\u0131m\u0131n\u0131 geli\u015ftiren \u00f6nemli deneyimlerden biri olarak \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n<p>Halil Pa\u015fa\u2019n\u0131n 1889\u2019da, o sene Eyfel Kulesi\u2019nin de a\u00e7\u0131l\u0131\u015f\u0131na ev sahipli\u011fi yapan Exposition Universelle\u2019de&nbsp;<em>Madam X<\/em>&nbsp;portresiyle kazand\u0131\u011f\u0131 bronz madalya, sergide uluslararas\u0131 g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn simgesel e\u015fi\u011fi olarak yorumlan\u0131yor. Bu ba\u015far\u0131ya ili\u015fkin \u00f6d\u00fcl sertifikas\u0131 ve bronz madalya gibi belgeler de sergide yer al\u0131yor; b\u00f6ylece sanat\u00e7\u0131n\u0131n Paris\u2019teki ba\u015far\u0131s\u0131 yaln\u0131zca anlat\u0131yla de\u011fil, belgeye dayal\u0131 bir d\u00fczlemde de g\u00fc\u00e7 kazan\u0131yor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">\u201cK\u0131y\u0131\u201d fikri: Bo\u011fazi\u00e7i ve sayfiye hayat\u0131<\/h3>\n\n\n\n<p>\u0130stanbul\u2019a d\u00f6n\u00fc\u015fle birlikte portrelerden manzaralara y\u00f6neli\u015f sergide belirginle\u015fen ana de\u011fi\u015fimlerden biri olarak \u00f6ne \u00e7\u0131k\u0131yor Halil Pa\u015fa\u2019n\u0131n manzara resmine a\u011f\u0131rl\u0131k vermesi, buna ra\u011fmen fig\u00fcr\u00fc b\u00fct\u00fcn\u00fcyle terk etmeyip fig\u00fcrl\u00fc peyzajlar \u00fcretmesi, serginin belirgin \u00e7izgilerinden birini olu\u015fturuyor. Beylerbeyi ve Bostanc\u0131\u2019daki aile ya\u015fam\u0131 da sanat\u00e7\u0131n\u0131n resimlerindeki dingin atmosferin duygusal arka plan\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n<p>Sergiye ad\u0131n\u0131 veren \u201ck\u0131y\u0131\u201d fikrinin somutla\u015ft\u0131\u011f\u0131 eserlerde ise Bo\u011faz\u2019\u0131n de\u011fi\u015fen \u0131\u015f\u0131\u011f\u0131, su y\u00fczeyindeki yans\u0131malar, ah\u015fap k\u0131y\u0131 mimarisi ve yal\u0131 ya\u015fam\u0131, Halil Pa\u015fa\u2019n\u0131n resminde zaman\u0131n izlerini ta\u015f\u0131yan bir sahneye d\u00f6n\u00fc\u015f\u00fcyor. G\u00f6ksu, K\u00fc\u00e7\u00fcksu, Fenerbah\u00e7e ve Bostanc\u0131 k\u0131y\u0131lar\u0131ndaki sayfiye hayat\u0131, su etraf\u0131nda \u015fekillenen g\u00fcndelik ya\u015fam\u0131n ritmini g\u00f6r\u00fcn\u00fcr k\u0131l\u0131yor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Edebiyat ve bas\u0131n \u00e7evreleriyle kurulan ba\u011f<\/h3>\n\n\n\n<p>Sergi, Halil Pa\u015fa\u2019n\u0131n yaln\u0131zca resim d\u00fcnyas\u0131yla de\u011fil, edebiyat ve bas\u0131n \u00e7evreleriyle kurdu\u011fu ili\u015fkiyi de ele al\u0131yor. Halil Pa\u015fa\u2019n\u0131n, Servet-i F\u00fcn\u00fbn\u2019daki g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fc de serginin dikkat \u00e7ekici ba\u015fl\u0131klar\u0131ndan biri olarak \u00f6ne \u00e7\u0131k\u0131yor. Sanat\u00e7\u0131y\u0131 at\u00f6lyesinde \u00e7al\u0131\u015f\u0131rken g\u00f6steren foto\u011fraf\u0131n 1898\u2019de dergi kapa\u011f\u0131nda yer almas\u0131 ve 1899\u2019da yay\u0131mlanan&nbsp;<em>Sabah Kahvesi<\/em>&nbsp;(<em>\u015eakay\u0131klar ve Kad\u0131n<\/em>) gibi yap\u0131tlar, Halil Pa\u015fa\u2019n\u0131n resminin d\u00f6nemin pop\u00fcler bas\u0131n\u0131ndaki dola\u015f\u0131m\u0131n\u0131 g\u00f6steriyor.<\/p>\n\n\n\n<p>E\u015fi \u00c2liye Han\u0131m\u2019\u0131n abisi olan Rec\u00e2iz\u00e2de Mahmud Ekrem\u2019in&nbsp;<em>Araba Sevdas\u0131<\/em>&nbsp;i\u00e7in yapt\u0131\u011f\u0131 ill\u00fcstrasyonlar, Halil Pa\u015fa\u2019n\u0131n g\u00f6rsel anlat\u0131 g\u00fcc\u00fcn\u00fc \u00f6ne \u00e7\u0131kar\u0131rken; desen defterleri bu \u00fcretimin haz\u0131rl\u0131k s\u00fcrecine \u0131\u015f\u0131k tutuyor. Osmanl\u0131 Ressamlar Cemiyeti Gazetesi, \u0130kdam ve Mal\u00fbmat gibi yay\u0131nlar \u00fczerinden sanat\u00e7\u0131n\u0131n d\u00f6nemin sanat ortam\u0131ndaki g\u00f6r\u00fcn\u00fcrl\u00fc\u011f\u00fcn\u00fc ve kurumsal ili\u015fkilerini ortaya koyuyor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">M\u0131s\u0131r y\u0131llar\u0131: Nil k\u0131y\u0131lar\u0131nda yeni bir resim dili<\/h3>\n\n\n\n<p>Serginin \u00f6nemli duraklar\u0131ndan biri de Halil Pa\u015fa\u2019n\u0131n M\u0131s\u0131r y\u0131llar\u0131. Abbas Halim Pa\u015fa\u2019n\u0131n davetiyle \u015fekillenen bu d\u00f6nem, sanat\u00e7\u0131n\u0131n k\u0131\u015f aylar\u0131n\u0131 Hilvan\u2019da ge\u00e7irip yazlar\u0131 \u0130stanbul\u2019a d\u00f6nd\u00fc\u011f\u00fc uzun bir \u00fcretim ritmine i\u015faret ediyor. Nil k\u0131y\u0131lar\u0131nda \u00fcretilen peyzajlarda, \u0130stanbul resimleriyle paralellik ta\u015f\u0131yan su ve \u0131\u015f\u0131k duyarl\u0131l\u0131\u011f\u0131 bu kez M\u0131s\u0131r\u2019\u0131n atmosferi, yerel mimarisi ve g\u00fcndelik ya\u015fam sahneleriyle yeni bir karakter kazan\u0131yor. Mehmed \u00c2kif Ersoy\u2019la da kom\u015fu oldu\u011fu bu d\u00f6nemin ya\u015fanm\u0131\u015fl\u0131k boyutu tarihi foto\u011fraflar ve tan\u0131kl\u0131klarla g\u00fc\u00e7leniyor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Bireysel \u00fcretimden k\u00fclt\u00fcrel tarihe<\/h3>\n\n\n\n<p>Halil Pa\u015fa\u2019n\u0131n uzun sanat ya\u015fam\u0131n\u0131 yaln\u0131zca bireysel \u00fcretim \u00fczerinden de\u011fil, sergiler tarihi \u00fczerinden de takip edilebiliyor. Beyo\u011flu\u2019nda d\u00fczenlenen Salon Sergileri, Galatasaray Sergileri\u2019ne uzun y\u0131llar yay\u0131lan d\u00fczenli kat\u0131l\u0131m\u0131 ve Cumhuriyet d\u00f6neminde Ankara\u2019daki sergilere aktif bi\u00e7imde dahil olu\u015fu, Halil Pa\u015fa\u2019y\u0131 de\u011fi\u015fen sanat ortamlar\u0131nda s\u00fcreklilik g\u00f6steren bir fig\u00fcr olarak konumland\u0131r\u0131yor.<\/p>\n\n\n\n<p>Erten\u2019in sergi i\u00e7in kaleme ald\u0131\u011f\u0131, d\u00f6nemin sanat ortam\u0131na \u0131\u015f\u0131k tutan ve Halil Pa\u015fa \u00fczerine kapsaml\u0131 bir referans olan yay\u0131n ile birlikte&nbsp;<em>Suyun K\u0131y\u0131s\u0131nda<\/em>, eser se\u00e7kisinin yan\u0131 s\u0131ra Osmanl\u0131 ve Cumhuriyet d\u00f6nemine uzanan ar\u015fiv belgeleri, bas\u0131nda yer alan haberler, mektuplar, foto\u011fraflar ve desen defterleriyle dok\u00fcmanter bir zemin de kuruyor. Bu zemin, Halil Pa\u015fa\u2019n\u0131n \u00fcretimini yaln\u0131zca estetik bir \u00e7izgi olarak de\u011fil; d\u00f6neminin k\u00fclt\u00fcrel dola\u015f\u0131m\u0131, kurumlar\u0131 ve ili\u015fkiler a\u011f\u0131 i\u00e7inde d\u00fc\u015f\u00fcnmeye davet ediyor.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Sergiye bir A\u00e7\u0131k At\u00f6lye alan\u0131 da e\u015flik ediyor<\/h3>\n\n\n\n<p>Sergiye, Pera M\u00fczesi\u2019nin 3. kat\u0131nda yer alan ve Halil Pa\u015fa\u2019n\u0131n st\u00fcdyosundan esinle kurgulanan bir&nbsp;<strong>A\u00e7\u0131k At\u00f6lye<\/strong>&nbsp;alan\u0131 da e\u015flik ediyor. Sanat\u00e7\u0131n\u0131n desen \u00e7al\u0131\u015fmalar\u0131ndaki \u00fcretim prati\u011fine referansla haz\u0131rlanan; \u015f\u00f6vale ve modellenebilecek objelerle donat\u0131lan bu \u00f6\u011frenme alan\u0131nda ziyaret\u00e7iler, kuru boya, pastel boya, kara kalem, f\u00fczen ve \u00e7e\u015fitli k\u00e2\u011f\u0131tlar kullanarak sergiden ald\u0131klar\u0131 ilham\u0131 yarat\u0131c\u0131 \u00fcretimlere d\u00f6n\u00fc\u015ft\u00fcrebilecek. A\u00e7\u0131k At\u00f6lye, Sal\u0131\u2019dan Cumartesi\u2019ye 10.00\u201313.00 ve 14.00\u201318.00, Pazar g\u00fcn\u00fc 12.00\u201317.00 saatleri aras\u0131nda a\u00e7\u0131k olacak; Uzun Cuma uygulamas\u0131 kapsam\u0131nda ise 19.00\u201321.00 saatleri aras\u0131nda da ziyaret\u00e7ilerini a\u011f\u0131rlayacak.<\/p>\n\n\n\n<p>Suyun K\u0131y\u0131s\u0131nda: Halil Pa\u015fa\u2019n\u0131n Ya\u015fam\u0131 ve Sanat\u0131, 23 A\u011fustos\u2019a kadar Pera M\u00fczesi\u2019nin 5, 4 ve 3. katlar\u0131nda ziyaret edilebilir. Pera M\u00fczesi Sal\u0131\u2019dan Cumartesi\u2019ye 10.00-19.00, Pazar g\u00fcnleri 12.00-18.00 saatleri aras\u0131nda gezilebilir.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.haberturk.com\/suyun-kiyisinda-halil-pasanin-yasami-ve-sanati-pera-muzesi-nde-3867405\">https:\/\/www.haberturk.com\/suyun-kiyisinda-halil-pasanin-yasami-ve-sanati-pera-muzesi-nde-3867405<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Osmanl\u0131\u2019dan Cumhuriyet\u2019e uzanan d\u00f6nemin \u00f6nemli ressamlar\u0131ndan Halil Pa\u015fa\u2019n\u0131n ya\u015fam\u0131 ve sanat\u0131n\u0131 merkeze alan \u201cSuyun K\u0131y\u0131s\u0131nda: Halil Pa\u015fa\u2019n\u0131n Ya\u015fam\u0131 ve Sanat\u0131\u201d sergisi sanatseverlerle bulu\u015ftu. \u00d6zlem \u0130nay Erten k\u00fcrat\u00f6rl\u00fc\u011f\u00fcnde haz\u0131rlanan sergide sanat\u00e7\u0131n\u0131n portre, nat\u00fcrmort ve peyzajlar\u0131; ar\u015fiv belgeleri, foto\u011fraflar ve desen defterleriyle birlikte sunularak Halil Pa\u015fa\u2019n\u0131n \u00fcretimi, \u00e7evresi ve ya\u015fad\u0131\u011f\u0131 d\u00f6neme dair kapsaml\u0131 bir perspektif ortaya koyuluyor. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":1534,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-1533","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"jetpack_featured_media_url":"https:\/\/gundexia.com\/wp-content\/uploads\/2026\/03\/960x540-21.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/1533","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1533"}],"version-history":[{"count":1,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/1533\/revisions"}],"predecessor-version":[{"id":1535,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/posts\/1533\/revisions\/1535"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=\/wp\/v2\/media\/1534"}],"wp:attachment":[{"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1533"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1533"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gundexia.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1533"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}